seeing as u like english so much have the start of my essay

In contrast to miscommunication of love being inherent in many of Shakespeare’s farces due to comedic value, the Playwright redirects and perverts this idea into a sinister and menacing notion. In his tragedy “Othello,” the Moor’s tragic fate primarily manifests itself as a result of being dispossessed from the symbol of his enamoured love for Desdemona - the handkerchief. This dispossession is a microcosm of Iago’s diabolical yet systematic plotting and ensues the transfer of Iago’s poisoned and hateful psychology, to Othello, which contaminates and “hurls my (his) soul from heaven”. This indictment is substantiated by Othello’s own paranoid fallacy being overarchingly similar to the same misconception that Iago beholds towards his wife who he accuses the “lusty moor hath leaped into my (his) seat” alongside “Cassio with my nightcap too”.

+rep for reading it

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