Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
He seems to have forgotten where fans have thought Finn was a better protagonist before he devolved into minstrel show caricature in A New Jedi. Rose could have been developed better. The death of Kylo Ren made Rey despised when the pairing could have redeemed them both by offering a new hope for something decent from the whole thing of killing Han.
When they rediscover what the market wants or goes to corporate fire sale, Disney will acknowledge all the garbage about as much as they do Willow series or the 70s and 80s live action properties they will not touch again. House of Mouse was loved.
I think it's safe to say the mainstream era of narcissistic nepobaby slop is over as it's obviously unprofitable.