Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
Oh the sanctimony...
song fits that...
Mellencamp....hurt so good...come on baby, make it hurt so good...
So are you
Don't let the queer ♥♥♥♥ turn ya off. It's minuscule. The base story is pro human/anti lizard people and there's some fun, also minuscule, old school elf VS dwarf bigotry. It's a solid 5e combat sim with a decent campaign creator.
I'm obviously the OP and you're missing out on a great game. Like I said, the pronouns turned me off (because they typically signal much larger issues), but I gave the game a chance and very glad I did.
Once I made it past character creation I can't remember a single 'woke' element to the game and I spent more than 200 hours playing it after buying every DLC.
The game was funded by a shoestring Kickstarter budget and what was accomplished with that tiny sum is truly impressive. The game has some jank, but that's to be expected without massive funding.
My concern is that I just don't want the developers of the sequel to fall into the trap of thinking that the "modern audience" exists. Because it doesn't.