Columbo is a shrewd but inelegant blue-collar homicide detective whose trademarks include his rumpled beige raincoat, unassuming demeanor, cigar, old Peugeot 403 car, love of chili con carne, and unseen wife (whom he mentions frequently). He often leaves a room only to return with the catchphrase "Just one more thing" to ask a critical question.

Columbo is an American crime drama television series starring Peter Falk as Lieutenant Columbo, a homicide detective with the Los Angeles Police Department. After two pilot episodes in 1968 and 1971, the show originally aired on NBC from 1971 to 1978 as one of the rotating programs of The NBC Mystery Movie. Columbo then aired less frequently on ABC from 1989 to 2003.

The character and show, created by Richard Levinson and William Link, popularized the inverted detective story format (sometimes referred to as a "howcatchem"). This genre begins by showing the commission of the crime and its perpetrator; the plot therefore usually has no "whodunit" element of determining which of several suspects committed the crime. It instead revolves around how a perpetrator known to the audience will finally be caught and exposed.

The series' homicide suspects are often affluent members of high society; it has led some critics to see class conflict as an element of each story. Suspects carefully cover their tracks and are initially dismissive of Columbo's circumstantial speech and apparent ineptitude. They become increasingly unsettled as his superficially pestering behavior teases out incriminating evidence. His relentless approach often leads to self-incrimination or outright confession.

Episodes of Columbo are between 70 and 98 minutes long, and have been broadcast in 44 countries. The show has been described by the BBC as "timeless" and remains popular today.

In almost every episode, the audience sees the crime unfold at the beginning and knows the identity of the culprit, typically an affluent member of society. Once Columbo enters the story (he rarely appears in the first act), viewers watch him solve the case by sifting through the contradictions between the truth and the version presented to him by the killer(s). This style of mystery is sometimes referred to as a "howcatchem", in contrast to the traditional whodunit. In structural analysis terms, the majority of the narrative is therefore dénouement, a feature normally reserved for the very end of a story. Episodes tend to be driven by their characters, the audience observing the criminal's reactions to Columbo's increasingly intrusive presence. The explanation for the crime and its method having played out as part of the narrative, most of the stories simply end with the criminal's reaction at being found out.

When Columbo first appears in an episode, his genius is hidden by his frumpy, friendly, and disarming demeanor, luring the killer into a false sense of security. In some cases, the killer's arrogance and dismissive attitude allow Columbo to manipulate his suspects into self-incrimination. While the details, and eventually the motivations, of the murderers' actions are shown to the viewer, Columbo's true thoughts and intentions are almost never revealed until close to the end of the episode (he occasionally begins to whistle the tune "This Old Man" as the pieces begin to fall into place). Columbo generally maintains a friendly relationship with the murderer until the end. The point at which the detective first begins to suspect the murderer is generally not revealed, although it is often fairly early on. There are two sides to Columbo's character: the disarming and unkempt detective, and the hidden genius sleuth. The genius sometimes starkly manifests itself through his eyes, as when Jack Cassidy's magician, The Great Santini, manages to escape from police handcuffs that Columbo coyly presents him during Santini's show ("Now You See Him..."). Such moments always bode bad tidings for the killer. In some instances, such as Ruth Gordon's avenging elderly mystery writer in "Try and Catch Me", Janet Leigh's terminally ill and deluded actress in "Forgotten Lady", Donald Pleasence's elegant vintner in "Any Old Port in a Storm", and Johnny Cash's enserfed singer in "Swan Song", the killer is more sympathetic than the victim.

Each case is generally concluded in a similar style, with Columbo dropping any pretense of uncertainty and sharing details of his conclusion of the killer's guilt. Following the killer's reaction, the episode generally ends with the killer confessing or quietly submitting to arrest. There are few attempts to deceive the viewer or provide a twist in the tale. One convoluted exception is "Last Salute to the Commodore", where Robert Vaughn is seen elaborately disposing of a body, but is proved later to have been covering for his alcoholic wife, whom he mistakenly thought to be the murderer. Sometimes, Columbo sets up the murderer with a trick designed to elicit a confession. An example occurs in "Dagger of the Mind", in which Columbo flips an evidentiary pearl into the victim's umbrella, bringing about incriminating activity from Richard Basehart and Honor Blackman. Oddly, the Hallmark Channel's replay of the episode (2020) edits out the revealing scene, thus completely altering the meaning of the ending of the episode.

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