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See The Object
By Spuuky
Welcome to Lines End!

While the majority of our visitors come to take the Trials in the hopes of reaching the end, there are many things to see and do on your way to experiencing The Object. This book will be your guide in discovering some of the lesser-known attractions along the path, as well as providing helpful tips and pointers in dealing with native wildlife and respecting the sanctity of the hallowed halls through which you will pass.

If this is your first time visiting, it is our hope that this free guidebook will serve as a supplementary resource on your journey that will help you get the most out of your journey.
   
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Arrival
Most of our nearly two million annual Seekers arrive at Lines End via the train line. All our trains come equipped with all the amenities you have come to expect, such as a fully automated and modern bar and in-cabin entertainment system where you can enjoy the latest games and information about your upcoming visit. Please make yourself comfortable!

Every passenger will have their phone preloaded with the latest version of our travel app - Objectify! The app is preconfigured with our popular Vanilla theme, although you will find many opportunities to use other themes on your adventure*. You can begin exploring the app now, and the ESC key on your phone's keyboard will show you options and settings which you can configure to your personal taste. The '0' numeric key will enable or disable Audio Tour Mode.

*All themes sold separately.

If it is your first ride on our rail system, it is recommended to mingle with other passengers in the lounge, and admire the scenery, especially as you get close to the station. Of special note are the Monuments to the Seekers, built in honor of the original pilgrims who discovered the Object. Built out of a special conductive material, these statues absorb ambient energy which is used to power the trains through the station.



The rail station itself was designed by master architect Barru Reyes, at the behest of the Queen, in order to provide a beautiful entry point into the Trials. Constructed to imitate the style ancient train stations of the 21st century, it evokes a feeling of modernity that combines form and function.



When you arrive, there are a few formalities that every new Seeker must attend to.
  1. Register at any Registration kiosk. If it is your first time visiting, you may wish to view the brief introductory video.
  2. Check any pets and luggage. Fear not! We take your security very seriously, and will ensure that your possessions are in a state-of-the-art long-term stasis facility, ensuring you can explore the Trials at whatever pace you wish.
  3. Find a partner. As something of a regional hub, there are always fellow Seekers returning from the Object as well as those just beginning their journey. If you are traveling alone, there is always a like-minded traveler eager to explore the Trials with you; pair up with them for a safe, interesting trip. Unfortunately, we cannot allow Seekers to attempt the Trials alone at this time.
Objectify! will automatically detect completion of your registration and check-in, and grant access to the First Trial. Welcome to Lines End, and we hope you enjoy your stay!
The First Trial
The First Trial is the Trial of Life. It is a celebration of the ritual of birth and progress, featuring a number of notable masterpieces depicting the cycle of life as seen by the ancients, and iconography of the Old Ways.

It begins with the Grand Staircase - it contains 90 steps, a symbolic number representing the trial of the first Seeker, whose image is carved into the center of the staircase, hewn from the stone of the mountain itself. If you find yourself winded on the climb, the plaza containing his sculpture is a good place to stop and admire the craftsmanship, and ponder the Obscurity (an ancient word meaning "cover of darkness") from which the Object was revealed.

At the top of the staircase rests one of the highlights of the trip for many visitors - a sculpture known as the Winged Serpent. Seemingly a representation of dragons of old world mythology, the statue in truth draws on the Caduceus, the staff of Hermes, for inspiration. This symbol is significant as a sign of reconciliation, life, and medicine in various forms. Unlike the traditional two-serpent Caduceus which bears the wings of Hermes on the top, this form fuses them into one central figure.



When you proceed, please pause to remove your shoes and purify your flesh in the font - this point is the official beginning of the wildlife sanctuary that engulfs much of Lines End, which we strive to keep free from outside contaminants. Complimentary slippers will be provided free of charge for you to continue exploring in ultimate comfort.

The Temple of Life is a museum, a cathedral, and a place for thoughtful presence. The Trials host a wide range of visitors; to some the Temple is a vibrant display of artistry, but to others it is also a sacred place of healing and meditation. Please be respectful of your surroundings and allow others space to clear their mind and ponder the life they've come from. You may wish to purchase the Temple theme - this valuable addition to Objectify! allows the app to interact with our many sights and attractions from a much greater distance; critical especially when looking for wildlife later in the trip.

Signifiers of Life will surround you in the Hall, but the most famous are the four matching paintings by the great painter Ang Elica, known as the Four Workmen. Each represents a path through Life, in which the subject subsumes themselves to serve the collective good.




The Farmer provides sustenance and represents the spirit of cooperation with fellow creatures of the natural world.







The Host guarantees the distribution of resources to those in need.








The Healer provides comfort for those in times of crisis, as well as a reminder of the horrors of illness in the old world.







The Protector ensures the safety of all members of the collective.





Visitors of all faiths will likely wish to see the Tabernacle and consider the struggles and triumphs of our collective past. It is encouraged to burn incense and light candles in the halls of Life, as a reminder of the passage of time and our traversal of it.



The most striking piece in the Hall will surely not have escaped your notice by this point; the Angel Icon is a linguistic reference to the artist (Ang Elica) whose work you have recently finished admiring, and is the spiritual center of the Temple. Many pilgrims come only to meditate beneath the Icon, which is equipped with an array of sensors designed to sense and soothe the mind of the supplicant.



Completion of the First Trial lies in the hands of you, the visitor - the final stage requires you to advance from collective memory to the individual, and recall what details you can of your life in the Old Ways. What you write must be personal - written literally in and of your self - so that you may attach it to the Tree of Wishes and move to the Second Trial, having left your life to intertwine with those of your fellow Seekers. Take a moment to admire the LED lighting above the Tree. A recent addition to the much older Canopy, it uses modern technology to signify the illumination of the Wishes attached to the tree while also purifying the air in the chamber to prevent damage to the artifacts.

When you are ready to move on, the First Trial will be complete!
See the City
Completing the First Trial can be a draining task, and you may wish to pause to think back on the experience thus far and ponder what you can expecting going forward through the Second Trial, across the Bridge that stands before you. For many others, this emergence from the Temple and from their old life leads to a new appreciation for the world around them. In both cases, visitors will often find themselves gravitating toward the City.

Built on the edge of the island farthest from the Mountain, this City is the home of many who live on the island, either as part of the Lines End staff or merely for pleasure. The quickest route to the City is via the shuttle launch pad right outside the Temple, which has regular flights daily. A longer, slower route exists for those who wish for a more scenic approach may wish to enter the City through a short hike to the west, where the City can be entered via the legendary Floating Bridge.

The Floating Bridge is of historical and architectural significance for many reasons, but perhaps none more significant than its heritage as the ancient water source of the City. Before the controlled climate of the modern era was fully in place and the Dam was built, water could be stored for purification in surrounding chambers, and (after purification) would be released into the bridge chamber for use by the citizenry.

Once you enter the City, take your time to look around! While there is frequent construction to update and improve the older buildings in the heart of the city, you can always find something to do. Some popular destinations include:
  • Blurred Lines - our state of the art long-term VR facility
  • Liminal - a popular nightclub, featuring an "Open DJ" night free to the public
  • Sailing tours of the harbor, where you can get a close-up view of the magnificent waterfalls that form the unique geographic boundary of the city



If you end up on the water, any Animal Friend will be sure not to miss an opportunity to see the ducks in the harbor! Rare in the natural world, they have been specially released due to their docile nature and harmony with the controlled environment surrounding the Object.

Once you've seen your fill of the City, it will be time to progress to the Second Trial. Most of our autodriver sail tours will deposit you near the gate, or you can return to the Temple of Life and cross the Bridge.



The Bridge, often called one of the Wonders of the Postmodern World, is designed to automatically allow both large vessels to pass underneath and pedestrians to cross on foot, via a raised centerpiece. While the lack of an attendant perturbs some Seekers, rest assured that it is equipped with the latest state-of-the-art motion sensors and will immediately stop if anyone enters a dangerous area.

Just head across the Bridge and clear your mind as you prepare for the popular Trial of Death. Autodrivers are usually available on the Bridge for Seekers who need physical assistance for this stage of the journey.
The Cemetery
The Second Trial is always one of the highlights of the trip, especially for our younger visitors. Known as the Trial of Death, it features some of the more awe-inspiring works of art in the journey, as well as the history and iconography you've come to expect from the Trials. As you prepare for the Second Trial, please take a look at our famed cemetery, chock full of an extraordinary number of monuments and idols that will be sure to have something for everyone. Listed here are just a few of the most significant of our landmark headstones and notable figures.

~~

Officially named "La Liberté éclairant le monde" by its French designer, this copper statue represents the Roman goddess Libertas, a symbol of liberty and freedom. Modeled as an updated answer to the famed Colossus of Rhodes, it stood watch over the one of the largest cities of the old world.



Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
MOTHER OF EXILES. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.

"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"

~~

The fabled Medusa was a symbol of Greek mythology. Loosely translating as "guardian," this head now stands guard over the entry to the cemetery. Her head was used on a unique amulet known as the "Gorgoneion" to ward off evil. Later, her gaze (which turned anyone who saw it to stone) came to represent in itself the horrors of the world, from which the viewer must avert their eyes lest their heart be turned to stone. This piece was retrieved from the Basilica Cistern in Istanbul prior to its collapse, where it stood for millenia at the base of the supporting architecture.



Her sleeping head with its great gelid mass
of serpents torpidly astir
burned into the mirroring shield--
a scathing image dire
as hated truth the mind accepts at last
and festers on.
I struck. The shield flashed bare.

Yet even as I lifted up the head
and started from that place
of gazing silences and terrored stone,
I thirsted to destroy.
None could have passed me then--
no garland-bearing girl, no priest
or staring boy--and lived.

~~

While many confuse this sculpture for Perseus at first glance (due to his famous beheading of the Medusa who we have just witnessed), a closer examination reveals this to be another ancient king - of Israel in this case - holding the head of his famous opponent Goliath. A powerful symbol of faith in the face of overwhelming fear and oppression throughout history, he is shown here in his most well-known moment.



And when the Philistine looked about, and saw David, he disdained him: for he was but a youth, and ruddy, and of a fair countenance. And the Philistine said unto David, Am I a dog, that thou comest to me with staves? And the Philistine cursed David by his gods. And the Philistine said to David, Come to me, and I will give thy flesh unto the fowls of the air, and to the beasts of the field. Then said David to the Philistine, Thou comest to me with a sword, and with a spear, and with a shield: but I come to thee in the name of the LORD of hosts, the God of the armies of Israel, whom thou hast defied. This day will the LORD deliver thee into mine hand; and I will smite thee, and take thine head from thee; and I will give the carcases of the host of the Philistines this day unto the fowls of the air, and to the wild beasts of the earth; that all the earth may know that there is a God in Israel. And all this assembly shall know that the LORD saveth not with sword and spear: for the battle is the LORD'S, and he will give you into our hands.

~~

This bust, of Roman Emperor Marcus Aurelius, resides deeper in the cemetery, where it serves as a meditation point for travelers. A proponent and scholar of the school of thought known as Stoicism, he played a significant role in guiding the moral philosophy of the West for centuries. The idea of happiness as part of the natural order stems heavily from this Hellenistic base.



Be like a rocky promontory against which the restless surf continually pounds; it stands fast while the churning sea is lulled to sleep at its feet. I hear you say, "How unlucky that this should happen to me!" Not at all! Say instead, "How lucky that I am not broken by what has happened and am not afraid of what is about to happen. The same blow might have struck anyone, but not many would have absorbed it without capitulation or complaint."

~~

While best known for his famous Theorem, Pythagoras of Samus was a man of many talents and did much to guide the philosophy of the early Greeks. A lesser known fact about him is that he was one of the earliest proponents of vegetarianism - the lifestyle of harmony with the creatures of the natural world which is a common sentiment in today's world. Here, he is displayed as though guarding the entry to the cenotaph behind him. One can only guess what his is protecting, as a cenotaph is derived from the French word for "empty tomb."



First worship the Immortal Gods, as they are established and ordained by the Law.
Reverence the Oath, and next the Heroes, full of goodness and light.
Honour likewise the Terrestrial Daemons by rendering them the worship lawfully due to them.
Honour likewise your parents, and those most nearly related to you.
Of all the rest of mankind, make him your friend who distinguishes himself by his virtue.

~~

While we have chosen to highlight a few of the key works in this area of the Trial, there are many others as well, including the Pyramid of the Domes, and the interactive Sarcophagus of the Proctor exhibit. Rumor has it that there is a special reward for any guest who can pass this trial-within-a-trial, and dedicated Seekers won't want to miss it.
The Second Trial
The Trial of Death begins in proper when you have finished pondering those memorialized eternally in stone. Please descend the corridor at the back of the cemetery toward the Hall of Penance. Please take an extra moment to watch your step in the dark; there are many loose rocks which may become dislodged and present a hazard to unwary travellers.

The Hall of Penance is a series of chambers dedicated to the regret that arrives in the moment of Death. Here, Seekers are encouraged to confess their mistakes and use the ceremonial cat-o-nine-tails. In addition to its historical purpose as tool of justice, it is more importantly an object of spiritual purification when used on one's own body. This process is known in religious tradition as Mortification of the Flesh - literally the "putting to Death" of the sins of the body. When you have passed through these chambers you should feel the weight of your regrets stay behind as you prepare for your spiritual Rebirth.

Beyond this, you will find yourself crossing the Chasm of the Endless Depths, where we are unfortunately compelled to remind you that the Trial is not the place to throw things through the fenced walls - as tempting as it may be to verify the Endlessness of the Depths yourself.

One last stop here will show you a second dedication to the first Seeker. This tomb effigy is officially known as a gisant, although unlike its name would imply, this one now stands upright rather than in the recumbent position from which the name is derived. This style is likely taken from the later Renaissance era, fitting for the one who brought the Object out of obsecurity, given the typical translation of "Renewal" or "Rebirth" from the Dark Ages. Guests often report hearing strange noises in this chamber, said to be the words of the Seeker from the afterlife.



The last chamber of the Trial which focuses on a different type of effigy; similar to the mortification, the burning of an anointed personal effigy lets you shed any remaining unwanted vestiges of the old ways and prepare for the Third Trial. As many of our guests are confused as to the proper protocol for the ritual itself, it is briefly outlined below for your convenience.

  1. Ring the Bell to announce your presence
  2. Recite a hymn which you find a suitable representation of yourself
  3. Drink from the ritual chalice to possess yourself of spirit
  4. Create the ceremonial chalk markings in the ritual area
  5. Anoint an effigy to possess it of spirit to match your own
  6. Cast your effigy into the flame, where your twin spirits are consumed to be born anew

You should feel invigorated in mind (if not body) for your climb out through the great caverns toward the Trial of Rebirth, but please take your time to admire the sights and sounds of the cave as you pass through - it can be easy to overlook in the excitement of the trial, but if you are lucky you will even spot one of our Cavewalkers. These massive creatures are bioengineered from a much smaller lifeform to keep the cave's atmosphere clean and safe, while receiving all the nutrients they need from the moisture accumulated from the passage of Seekers.

Before you know it, you'll be out in the light again and eager to see what's coming next!
The Dam & The Garden
Prior to your arrival at the Palace and subsequent Third Trial, you will have to cross the massive Grand Seamaster Dam*. Built almost immediately after the discovery of the Object, it stands 550 feet above the bedrock and contains almost 12 million cubic yards of recycled plastic polymer - the largest plastic structure in the world. Originally just named the Great Dam, it has since formally adopted the "Grand Seamaster" name in honor of the oceanfaring creatures that consume and metabolize the vast amounts of plastic waste material in the ocean. Please take your time to enjoy the view from the Dam as you cross, as it offers a dramatic view of the water far below.

*Seekers who have scheduled an aerial tour of the Dam should ride the nearby ferry to the flight center. Highlights of this trip include a passage through our state-of-the-art canal lock, a chance to see the namesake Seamasters (be sure to use your Temple theme in Objectify! for more information) and of course an overhead view of the Dam structure.

During certain periods of unusually high tides, the dam will trigger an automatic high-water detection system and open its sluices to release water without passing through the turbine system, as pictured below. During these times, it is temporarily impassable to foot traffic until a technician verifies the water level and closes the sluices, restoring the dam to full service.



When you have crossed the Dam or arrived from your aerial tour, please proceed to the garden entrance at the foot of the Palace; this door is kept locked for security reasons, but simply call ahead and the door will be opened for your party by a remote attendant. The gate itself, named the Portal to Purpose, was designed by Colina Sandrew and originally provided an entry point to the famous gothic-styled World Culinary Museum in 23rd century Bavaria prior to its move to the Palace.



The last scenic stop prior to the Palace itself and the Trial of Rebirth is the beautiful Garden of Need. This simple anagram of "Eden" reminds us that desire, rather than the perfect pleasure of the Biblical Garden, is fundamental to our nature and how we experience the world around us.

Fortunate Seekers will catch a glimpse of some of the Sanctifier Rabbits that roam the underbrush of the Garden, but even the most impatient will notice the many eggs they leave around the grounds - these eggs are remarkable in that they are the result of the animals consuming any non-biodegradable waste material and using it to asexually reproduce; a process that simultaneously keeps the area clean and vibrant for our guests. Please keep in mind that the creatures need very little to survive, so please do not litter in the Garden or attempt to feed the Sanctifiers.

Some other highlights of the Garden include the innumerable array of flowers and other flora on display, as well as the instantly recognizable symbol of Atlas. While it is common to think that Atlas is holding the world on his shoulders, in mythological truth he bears the celestial sphere on his shoulders; he is a symbol of the mountain, holding up the sky, foreshadowing your journey to the mountain beyond the Palace. Some scholars of the Object have suggested the illumination of these orbs suggest that the true nature of the object is not found on the mountain, but in the skies surrounding it.



As always, you can purchase themes for Objectify! to commemorate your visit to this section of the Trials. The Third Trial and your Rebirth lie just ahead!
The Third Trial


The Third Trial takes place inside the Palace. Built over 400 years ago, the Palace is kept up to date with modern amenities while maintaining its artistic integrity. More will be discussed regarding the Palace and its amenities in a later section.

When you arrive please note your arrival in our guestbook, and place any personal objects in the appropriate security receptacles. A ceremonial security officer will be present to administer a biometric scan. Please be sure to collect your personal effects before continuing.

Note the chandeliers in the Palace; crafted by an unknown master glassworker, they are one of the most recent additions to the Palace interior, as their cascading effect is said by some to resemble the shimmering light of near-death experiences, a fitting symbol for the Trial of Rebirth.



Once security clearance has been granted and no anomalies are detected, you may proceed deeper into the Palace. The Rebirth of each Seeker comes in the form of a blessing, granted by the Queen as an acknowledgement of the travails you have undergone. An attendant will help you in selecting and preparing a gift appropriate for the Queen, and escort you to her waiting chamber. Unfortunately, she has many responsibilities in her royal schedule, and it may be some time before she is able to see you. Take this opportunity to pontificate on your odyssey and prepare your mind and body to honor the Queen's presence.

When the Queen is able to see you, you may present her with your gift and exalt her presence. The supplication before her feet is a tradition passed down through the generations from the original inhabitants of the island, a sacred practice of boko-maru, whose origins are lost to the sands of time.

With this, your Rebirth and Trials are complete. You are now prepared to begin the final ordeal: the passage to the Object itself. Any Seeker who has reached this point will be twice rewarded with access to the Palace Museum and invitation to a party held in recognition of their achievements.
The Palace
The rigorous Trials are finally behind you, but some of the most renowned and important sites of your trip remain ahead you. The Palace itself is home to some of these, including the Royal Museum. The Museum features some of the most stunning works from around the world for your appreciation

One such piece is the Lady by the Water, painted by an unknown artist in what is believed to be the late 28th century; complex oil techniques create the effect of a much-older piece, harkening to the Old Masters of the early Renaissance. Posed in the style of such a work, the Lady holds the position that would typically have been a figure of divinity. Despite this, the muted tones of the central in this oil painting contrast sharply with the vibrant orange of the celestial sphere, pulling the user's attention to that object, instead - a reminder that the heavens are still the true source of mystery and wonder even in this advanced age.

The Lady's dress appears to flow and merge with the water, suggesting a motif that became common in this era: the tasks of manufacturing and production (such as the creation of her attire) coming to be in harmony with the natural world, rather than opposed to it. Countless art historians, both professional and amateur, have speculated as to the identity of the Lady, but the truth remains elusive.



Widely regarded as both the apex of the art of sculpture and the sublime apogee of the beauty of the human form, Cats Eating David is an incomparable achievement in stonecraft. Currently on loan from Galleria dell'Accademia di Firenze in Florence, this work of Michelangelo was not discovered until many centuries after his death, when it was found buried in a hidden tomb underneath the Vatican in Rome.

The second in what is now known to be an intended series of five sculptures of the iconic David, this 17' marble statue features the subject moments after the original masterpiece's pose of confident masculinity as he prepares for his upcoming battle. Michelangelo's deconstruction of that moment into a series of increasingly diminishing poses, ending with the 5th and final "Buzzards Defecate on David's Remains," was regarded as highly blasphemous to the church of the 16th century and is likely the reason the works were concealed in the subterranean vault for so long. It is now considered to be a precursor to the 28th century Naturalist movement in its representation of the inability of man to overcome nature as an adversary.



The final piece currently on display is a series of wood carvings by the enigmatic Jill Sephorem. The specific meaning of this piece is the subject of ongoing debate between leading experts in the study of mobiles and other hanging art forms. In many other of Sephorem's own writings on other works, wood is used as non-destructive stand-in for bone, so a common theory is that this work - intended to be displayed in a museum of natural history - is intended to be evocative of the incomplete skeletal structures of dinosaurs or other ancient creatures commonly on display. Comparing them in this way leads the viewer to consider whether they, too, are seeing the incomplete vestiges of a much larger original, and leaves it up to the imagination to speculate as to what it might be.

Another common interpretation is that like many other contemporary art, the use of a mobile structure references the astronomical mobiles of the past and asks the viewer to look skyward as a result; and similarly the common use of mobiles above the cribs of children suggests that we are but infants looking up at objects we have not yet grown enough to understand.



Beyond the exhibition hall is the chamber of celebration where you can relax and lighten your load before the remaining phase of your journey. Please feel free to take advantage of the open bar or water pipes, mingle and dance with palace residents or other guests, and enjoy all the refreshments made available to you at the Queen's request in honor of your achievement. Anticipation usually builds among staff and guests as Seekers are seen nearing the end of their arduous Trials, and the festive atmosphere can be a nice breather. Don't forget to pick up your certificate of Awakening, noting your spiritual and mental readiness to view the Object, before you exit the Palace.



The next section will discuss a few remaining points of interest before your arrival at the Object itself.
The Nature Preserve
Technically, any Seeker who has arrived in the Palace has already entered the Wadsworth J. Bilkington Nature Preserve for the Preservation of Nature, but for most, the area surrounding the Object is regarded as the Preserve proper. If you wish, you may follow the lighted path directly toward the Object; you have earned the right to do so. However, you'll be missing out on a number of incredible vistas and other prime viewing locations.

Thrill-Seekers in the Preserve are encouraged to stop by the Starseeker Shop and buy our specialized Objectify! theme for the area, just west of the lighted path near the mountain's base, allowing you to propel yourself much more rapidly across the sands. Warning: this Theme is not for the faint of heart.


A Statue of the Seekers observes incoming visitors from the foot of the mountain.

Some of the highlights of the Preserve include:

  • Mount Benserr
    This towering natural structure currently houses the Object. In addition to the primary walkway to the Object viewing area, the mountain's features include a hiking path to the summit from the rear of the mountain and formerly included a petting zoo for children, since closed to the public after it was overwhelmed by guests hoping to see whether it was haunted, as its reputation suggests.

  • The Great Sands
    Encompassing the entire area surrounding the mountain, this desert area was once the sight of a famous meteor showering which destroyed the natural vegetation in the area. Snakedeer are now being used to slowly repopulate the flora in the area, and are primarily planting in the western edge of the Sands; some sections may be offlimits to prevent trampling of the saplings they produce. During peak seasons, tractor tours are available in the eastern edge of the Sands.

  • The Beach
    The end of the island far beyond the sands, this area is rumored to be the gathering point of the souls of the digitized who suffered prolonged exposure to the Object prior to the erection of the radiation shield. In addition it has a beautiful view of the ocean.

  • Excavation Facility
    While the facility has been closed for many years, curious tourists can trek west and see what remains of the research center used to excavate and study the Object. A Theodolite used by the Original Seeker to measure the craters caused by meteors prior to the Object's discovery is still on display through the glass door to the facility.

  • Seeker Statues
    Erected on the pathway to the Object, these statues mirror those surrounding the entry rail to the island, creating a bookend to your journey. One mysterious statue stands alone further West, and is known as the Lone Seeker.



Return to the lighted path when you are ready to ascend. This is the final moment before seeing the Object! As a final reminder, please do NOT attempt to view the Object except for the designated viewing plaza. Any exposure to the object without the protective barrier may result in permanent damage or death.
Experiencing The Object
You may view the Object in the viewing plaza.
Departure
After you have completed communing with the Object, you will likely have a starkly different perspective on many things - your life, the Trials, the path that brought you here, and everything that will necessarily come thereafter. There is no rush to advance, and all Seekers are encouraged to take as much time as they need to think about the mystery to which they have borne witness.

During this period of contemplation, most of our guests make their next destination our world-famous gift shop in our Object visitor center! Stocked with the latest and most fashionable fashions, you'll find everything you might need to remember your visit in style. You'll likely want to pick up our full Seeker outfit, which is sure to impress your friends back at home. A snowglobe to remind you of your Trials or special commemorative edition replica of the Object for that special someone back at home make a perfect gift! For those of you seeking to complete your Objectify! theme collection, you'll find one of our rarest and most valuable here, the Tarot theme inspired by our popular board game. Be sure to take your time and don't miss out on any of these great deals.

A private Airlift is available at your leisure directly from the gift shop back to the rail station for your return home. We hope you enjoyed your stay, and come back soon!
2 Comments
oku 13 Nov, 2021 @ 8:45am 
What a very special guide you've written. I retrieve this game from my Hidden folder and I look forward to replaying with your outstanding outline and commentary.:diao:
Earl Wizen 26 Mar, 2019 @ 11:51am 
Great guide. Well written.
I want to note that there may be alternative endings...