Recent reviews by maceleet

Medieval II: Total War – Definitive Edition is the perfect blend of grand strategy and chaotic medieval nonsense. It lets you rewrite history with swords, catapults, and questionable diplomacy — all wrapped in one of the most beloved Total War titles ever made.

The campaign map is a mix of majestic ambition and accidental comedy: popes declaring war on everyone, priests randomly turning heretic, and diplomats who think “Give me your richest city for free” is a fair deal. Battles are gloriously cinematic — thousands of knights clashing, cavalry charges flattening peasants, and siege towers collapsing just before reaching the wall.

Despite its age, the game still has charm and depth unmatched by many modern strategy titles. The Definitive Edition conveniently bundles all expansions, giving you even more excuses to send crusaders to the wrong city or watch Mongols obliterate Europe by turn 80.

Action! – Gameplay Recording and Streaming is the overachiever of screen recorders — sleek, fast, and surprisingly easy to use. It captures gameplay with buttery-smooth quality and minimal performance loss, making it a favorite for gamers who want their footage crisp without melting their GPU.

Its interface feels like a control center for a secret agent — everything’s clean, shiny, and one click away. You can record 120 FPS gameplay, stream directly to YouTube or Twitch, and even add your webcam with picture-in-picture. Just don’t forget to mute your mic before raging — Action! remembers everything.

There’s even a moment every user experiences: that mini heart attack when you realize you’ve been recording your desktop for 40 minutes instead of the game. Still, it’s stable, lightweight, and looks like it actually belongs in 2025.

Men of War: Assault Squad 2 is the ultimate tactical sandbox for anyone who ever thought, “What if I micromanaged every single soldier until my sanity broke?” It’s brutally realistic, endlessly replayable, and unintentionally hilarious.

The game gives you direct control over troops, meaning you can personally aim a rifle, drive a tank, or heroically throw a grenade—only to have it bounce off a wall and wipe out your own squad. The physics are gloriously chaotic: trucks explode like fireworks, tanks get stuck on pebbles, and your AI soldiers sometimes forget what “cover” means.

Yet beneath the chaos lies incredible depth. Every bullet, armor plate, and sandbag matters. Winning a battle feels less like strategy and more like surviving a war movie filmed on a student budget — raw, messy, and brilliant.

Manhunt is Rockstar’s darkest, most disturbing masterpiece — a stealth horror game that feels like sneaking through a nightmare directed by a madman. You play as James Earl Cash, a death row inmate forced to perform in a series of snuff films, where every shadow hides either salvation or a psychopath with a baseball bat.

The gameplay is pure tension: stalking enemies, timing executions, and realizing too late that your character breathes louder than a broken vacuum cleaner. The visuals are grimy and claustrophobic, perfectly matching the VHS horror vibe.

And yet, amidst all the brutality, there’s accidental comedy — like enemies yelling “I’m gonna find you!” before running straight into a wall, or Cash hiding in the most obvious spot imaginable while they walk past muttering, “Must’ve been the wind.”

Fallout: New Vegas is the crown jewel of post-apocalyptic RPGs — a masterpiece of choice, chaos, and charm set in a Mojave that’s somehow still more functional than real Las Vegas.

You play as the Courier, shot in the head and left for dead, only to wake up and immediately start deciding the fate of entire factions — or gambling your last cap away at a slot machine. The writing is razor-sharp, the world reactive, and every quest feels like a morality test written by someone who doesn’t believe in morality.

Of course, it wouldn’t be New Vegas without the comedy: giant geckos that hiss like malfunctioning toasters, NPCs who clip through chairs mid-conversation, and your companion Boone silently judging you while you accidentally detonate a mini-nuke indoors.

PAYDAY 2 is the ultimate test of patience disguised as a co-op heist game. On paper, it’s Ocean’s Eleven — in practice, it’s four clowns tripping alarms, shouting “GET DOWN!” at furniture, and spending twenty minutes drilling the wrong door.

The AI is brain-dead, the stealth breaks if someone sneezes too loudly, and the cops spawn faster than your will to live disappears. Half the time you’re fighting enemies, the other half, you’re fighting the game’s ancient netcode.

And just when you think you’ve pulled off the perfect stealth run, some random bot decides to stand up in front of a camera like it’s his modeling debut.

Prototype is pure chaos in digital form — a superhero power fantasy where you’re less “hero” and more “biological blender.” You play as Alex Mercer, a man who wakes up with amnesia, absurd powers, and zero concern for property damage.

The gameplay is fast, violent, and gloriously over-the-top. You can sprint up skyscrapers, throw tanks like baseballs, and consume people mid-conversation — all while the military desperately pretends they still have control. The story tries to be serious, but it’s hard to take drama seriously when you just used a helicopter as a melee weapon.

There’s nothing quite like accidentally drop-kicking a civilian while trying to land gracefully — or realizing halfway through a rampage that you were supposed to be “stealthy.”

Among Us is digital betrayal at its finest — a social deduction game where friendship goes to die and trust means nothing. You and your crew try to keep a spaceship running, while one (or more) of you secretly turns everyone else into space confetti.

It’s simple, fast, and pure chaos. Meetings devolve into courtroom dramas where everyone lies badly, defends themselves worse, and somehow votes out the only innocent player. Half the fun is pretending to fix wires while plotting someone’s “accidental” airlock exit.

The comedy is endless: impostors forgetting to mute, crewmates faking tasks with the confidence of a toddler, and that one player who always yells “It’s Red!” no matter what.

Left 4 Dead 2 is chaos perfected — a cooperative zombie apocalypse where teamwork is optional but screaming is guaranteed. It’s fast, brutal, and endlessly replayable, turning every run into a mix of panic and accidental comedy.

You and three survivors fight through hordes of the undead, armed with shotguns, frying pans, and questionable decision-making. The AI Director ensures no two playthroughs are the same — sometimes you’re a hero, sometimes you’re being strangled by a Smoker while your teammates argue over who gets the medkit.

The best moments are always unplanned: getting launched off a bridge by a Charger, setting your entire team on fire “by accident”, or watching someone heroically charge a Tank… and get flattened in one hit.

So, are you ready for: Gotta reload... Reloading here! Reloadin'? I'm reloading!

Project Zomboid is the most realistic zombie survival game ever made — and the most depressing comedy you’ll ever play. It’s not about winning, it’s about how long you can delay the inevitable “You have died” screen.

Everything matters: hunger, boredom, depression, even tripping over a fence. You’ll spend hours building the perfect base — only to burn it down because you forgot soup boils. Zombies are relentless, doors betray you, and panic sets in when your character’s only weapon is a butter knife.

The funniest moments come from pure player stupidity: jumping out a second-story window to “save time,” honking your car horn by mistake, or heroically fighting a horde with a frying pan before bleeding out from a tiny scratch.