[A]side from the pleasure of staring at 2B's fineeeeeee ass, the biggest highlight of the NieR:Onomatopoeia, which I only knew is cognate to a prequel that's a spin-off to the Drakengard series recently (Save your "God you're pathetic" contempts), is indubitably the [[B]]eautiful music score by Keiichi Okabe: It's godlike. Emi Evans' chaos language accentuates it even further. Very fitting for the [C]ompelling, [D]oleful narrative that encapsulates [[E]xistentialism and humanism in the most lugubrious and uplifting way ever.

Even with a few, minor [F]laws; namely, JRP[G] elements not woven as seamless as possible, such as, an inconsistent imbalance of enemy scaling after reaching a [H]igh level and difficulty options that don't blend with the game's structure, somewhat repetitive shooting segments, tedium of some optional side quests, occasional framerate drops, resolution issues (most of which can be fixed with the FAR mod), etc., [[I]]'m not afraid of averring this [J]uxtaposition of a game that re[K]indled a glimmering [L]ight of hope for the Drakengard and NieR series, NieR:A Tomato, a perfect [M]asterpiece.

The variety and [N]uances of the combat, incredible boss fights, des[O]late world,

oignant character arcs, and the [Q]ueer yet hila[R]ious bad ending[S] are so en[T]hralling. Platin[[U]]m's accomplishments are ought to be eulogized. I love the atmosphere that elicits [V]estiges of a once prosperous [W]orld.


A word of advice: Don't e[X]pect the typical happy ending; you'll be [Y]oko Taro'd real hard.

If that hadn't convince you to indulge in a purchase of the game, NieR:A Potato also rewards you for being a [Z]ealous pervert.



Absolute perfection :^)