𝗙𝗶𝗿𝘀𝘁 𝗮𝗻𝗱 𝗳𝗼𝗿𝗲𝗺𝗼𝘀𝘁, 𝘁𝗵𝗲𝗻, 𝗮𝗹𝗹 𝗽𝗹𝗮𝘆 𝗶𝘀 𝗮 𝘃𝗼𝗹𝘂𝗻𝘁𝗮𝗿𝘆 𝗮𝗰𝘁𝗶𝘃𝗶𝘁𝘆. 𝗣𝗹𝗮𝘆 𝘁𝗼 𝗼𝗿𝗱𝗲𝗿 𝗶𝘀 𝗻𝗼 𝗹𝗼𝗻𝗴𝗲𝗿 𝗽𝗹𝗮𝘆: 𝗶𝘁 𝗰𝗼𝘂𝗹𝗱 𝗮𝘁 𝗯𝗲𝘀𝘁 𝗯𝗲 𝗯𝘂𝘁 𝗮 𝗳𝗼𝗿𝗰𝗶𝗯𝗹𝗲 𝗶𝗺𝗶𝘁𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗶𝘁. 𝗕𝘆 𝘁𝗵𝗶𝘀 𝗾𝘂𝗮𝗹𝗶𝘁𝘆 𝗼𝗳 𝗳𝗿𝗲𝗲𝗱𝗼𝗺 𝗮𝗹𝗼𝗻𝗲, 𝗽𝗹𝗮𝘆 𝗺𝗮𝗿𝗸𝘀 𝗶𝘁𝘀𝗲𝗹𝗳 𝗼𝗳𝗳 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝗰𝗼𝘂𝗿𝘀𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗻𝗮𝘁𝘂𝗿𝗮𝗹 𝗽𝗿𝗼𝗰𝗲𝘀𝘀. 𝗜𝘁 𝗶𝘀 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝗮𝗱𝗱𝗲𝗱 𝘁𝗵𝗲𝗿𝗲𝘁𝗼 𝗮𝗻𝗱 𝘀𝗽𝗿𝗲𝗮𝗱 𝗼𝘂𝘁 𝗼𝘃𝗲𝗿 𝗶𝘁 𝗹𝗶𝗸𝗲 𝗮 𝗳𝗹𝗼𝘄𝗲𝗿𝗶𝗻𝗴, 𝗮𝗻 𝗼𝗿𝗻𝗮𝗺𝗲𝗻𝘁, 𝗮 𝗴𝗮𝗿𝗺𝗲𝗻𝘁. [...] 𝗛𝗲𝗿𝗲, 𝘁𝗵𝗲𝗻, 𝘄𝗲 𝗵𝗮𝘃𝗲 𝘁𝗵𝗲 𝗳𝗶𝗿𝘀𝘁 𝗺𝗮𝗶𝗻 𝗰𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿𝗶𝘀𝘁𝗶𝗰 𝗼𝗳 𝗽𝗹𝗮𝘆: 𝘁𝗵𝗮𝘁 𝗶𝘁 𝗶𝘀 𝗳𝗿𝗲𝗲, 𝗶𝘀 𝗶𝗻 𝗳𝗮𝗰𝘁 𝗳𝗿𝗲𝗲𝗱𝗼𝗺.
(𝗛𝘂𝗶𝘇𝗶𝗻𝗴𝗮, 𝟭𝟵𝟰𝟵, 𝗽𝗽. 𝟳-𝟴)

𝗔 𝘀𝗲𝗰𝗼𝗻𝗱 𝗰𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿𝗶𝘀𝘁𝗶𝗰 𝗶𝘀 𝗰𝗹𝗼𝘀𝗲𝗹𝘆 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗲𝗱 𝘄𝗶𝘁𝗵 𝘁𝗵𝗶𝘀, 𝗻𝗮𝗺𝗲𝗹𝘆, 𝘁𝗵𝗮𝘁 𝗽𝗹𝗮𝘆 𝗶𝘀 𝗻𝗼𝘁 "𝗼𝗿𝗱𝗶𝗻𝗮𝗿𝘆" 𝗼𝗿 "𝗿𝗲𝗮𝗹" 𝗹𝗶𝗳𝗲. 𝗜𝘁 𝗶𝘀 𝗿𝗮𝘁𝗵𝗲𝗿 𝗮 𝘀𝘁𝗲𝗽𝗽𝗶𝗻𝗴 𝗼𝘂𝘁 𝗼𝗳 "𝗿𝗲𝗮𝗹" 𝗹𝗶𝗳𝗲 𝗶𝗻𝘁𝗼 𝗮 𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝘆 𝘀𝗽𝗵𝗲𝗿𝗲 𝗼𝗳 𝗮𝗰𝘁𝗶𝘃𝗶𝘁𝘆 𝘄𝗶𝘁𝗵 𝗮 𝗱𝗶𝘀𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻 𝗮𝗹𝗹 𝗼𝗳 𝗶𝘁𝘀 𝗼𝘄𝗻. [...] 𝗣𝗹𝗮𝘆 𝘁𝘂𝗿𝗻𝘀 𝘁𝗼 𝘀𝗲𝗿𝗶𝗼𝘂𝘀𝗻𝗲𝘀𝘀 𝗮𝗻𝗱 𝘀𝗲𝗿𝗶𝗼𝘂𝘀𝗻𝗲𝘀𝘀 𝘁𝗼 𝗽𝗹𝗮𝘆. 𝗣𝗹𝗮𝘆 𝗺𝗮𝘆 𝗿𝗶𝘀𝗲 𝘁𝗼 𝗵𝗲𝗶𝗴𝗵𝘁𝘀 𝗼𝗳 𝗯𝗲𝗮𝘂𝘁𝘆 𝗮𝗻𝗱 𝘀𝘂𝗯𝗹𝗶𝗺𝗶𝘁𝘆 𝘁𝗵𝗮𝘁 𝗹𝗲𝗮𝘃𝗲 𝘀𝗲𝗿𝗶𝗼𝘂𝘀𝗻𝗲𝘀𝘀 𝗳𝗮𝗿 𝗯𝗲𝗻𝗲𝗮𝘁𝗵.
(𝗛𝘂𝗶𝘇𝗶𝗻𝗴𝗮, 𝟭𝟵𝟰𝟵, 𝗽. 𝟴)

𝗣𝗹𝗮𝘆 𝗶𝘀 𝗱𝗶𝘀𝘁𝗶𝗻𝗰𝘁 𝗳𝗿𝗼𝗺 "𝗼𝗿𝗱𝗶𝗻𝗮𝗿𝘆" 𝗹𝗶𝗳𝗲 𝗯𝗼𝘁𝗵 𝗮𝘀 𝘁𝗼 𝗹𝗼𝗰𝗮𝗹𝗶𝘁𝘆 𝗮𝗻𝗱 𝗱𝘂𝗿𝗮𝘁𝗶𝗼𝗻. 𝗧𝗵𝗶𝘀 𝗶𝘀 𝘁𝗵𝗲 𝘁𝗵𝗶𝗿𝗱 𝗺𝗮𝗶𝗻 𝗰𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿𝗶𝘀𝘁𝗶𝗰 𝗼𝗳 𝗽𝗹𝗮𝘆: 𝗶𝘁𝘀 𝘀𝗲𝗰𝗹𝘂𝗱𝗲𝗱𝗻𝗲𝘀𝘀, 𝗶𝘁𝘀 𝗹𝗶𝗺𝗶𝘁𝗲𝗱𝗻𝗲𝘀𝘀. 𝗜𝘁 𝗶𝘀 "𝗽𝗹𝗮𝘆𝗲𝗱 𝗼𝘂𝘁" 𝘄𝗶𝘁𝗵𝗶𝗻 𝗰𝗲𝗿𝘁𝗮𝗶𝗻 𝗹𝗶𝗺𝗶𝘁𝘀 𝗼𝗳 𝘁𝗶𝗺𝗲 𝗮𝗻𝗱 𝗽𝗹𝗮𝗰𝗲. 𝗜𝘁 𝗰𝗼𝗻𝘁𝗮𝗶𝗻𝘀 𝗶𝘁𝘀 𝗼𝘄𝗻 𝗰𝗼𝘂𝗿𝘀𝗲 𝗮𝗻𝗱 𝗺𝗲𝗮𝗻𝗶𝗻𝗴. [...] 𝗢𝗻𝗰𝗲 𝗽𝗹𝗮𝘆𝗲𝗱, 𝗶𝘁 𝗲𝗻𝗱𝘂𝗿𝗲𝘀 𝗮𝘀 𝗮 𝗻𝗲𝘄-𝗳𝗼𝘂𝗻𝗱 𝗰𝗿𝗲𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗺𝗶𝗻𝗱, 𝗮 𝘁𝗿𝗲𝗮𝘀𝘂𝗿𝗲 𝘁𝗼 𝗯𝗲 𝗿𝗲𝘁𝗮𝗶𝗻𝗲𝗱 𝗯𝘆 𝗺𝗲𝗺𝗼𝗿𝘆.
(𝗛𝘂𝗶𝘇𝗶𝗻𝗴𝗮, 𝟭𝟵𝟰𝟵, 𝗽𝗽. 𝟵-𝟭𝟬)