+rep massive tits

+20 rep "Do not let your mind stand still even when you are in repose, but do not let it speed up even when you are involved in quick actions"

+ rep, sold me a stolen phone for half price, gave me a wallet. 5 weeks have passed, I can't complain yet, the screen is cracked in one place, but for the price it's a small thing. I am waiting for him to steal a spare battery, because I need a spare battery due to my business (selling shoes in the market), it is difficult to sit at the workplace until the end of the day. He promised that after 3 days he would steal it from someone and sell it to me for half the price of the real price. I have also bought stolen sweaters, door mats, door handles and funeral wreaths from him in the past, the quality has never failed, the service is also 10/10. I also plan to buy 500 ASDA bags from him, he promised to sell them to me for 5 euros each, because they are easy to steal in stores, and they take all 50 and put them in a basket and go through the checkout with the whole basket. It's a pity that it's ASDA bags, nothing else puts them further

UR ENTIRE NARUTO PAGE IS SO
send me makima thingy her boobs cute

trevis scott - utopia ALBUM REVIEW

The highlights across this 19-track, 74 minute colossus are almost too many to mention. Opener ‘HYAENA’ throws a curveball, the distorted vocal – “IT CAN CHANGE / IT CAN STAY THE SAME” – triggering a dramatic shift, the shuddering electronics replete with incredible detail. ‘THANK GOD’ is a bravura performance, ominous yet also subtle; ‘MY EYES’ dials it down, the sonic soup verging on the ambient on a performance of rare emotion.

‘SIRENS’ is incredible, a true anthem whose rapid flow shows Travis at his most technically gifted. Intense and unrelenting, it feels built for wide open spaces – little wonder the rapper sought to launch the album at the pyramids in Cairo.

Yet this isn’t a record about bravado. ‘UTOPIA’ isn’t built through boasts – there’s a sense of evolution, of a voice chafing against the barriers we erect in our lives. Unafraid to be contradictory, it can move from the taught, tense, ominous ‘MELTDOWN’ and the nerve-jangling piano of ‘I KNOW ?’ to the club-focussed bouncer ‘TOPIA TWINS’ with its parade of women in its wake.