Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
Now everyone thinks they are the main character and others are just NPC's.
Because smith us all is not real.
https://youtube.com/watch?v=tWk1SnRxrlI&si=Ih880CsoiT_u96lt
Lain predates the matrix
I love the first T R O N film but it hasn't "confitioned" me to wear tights and throw Frisbees at policemen.
(although it would be fun)
You seem to have neglected an important part of '"lore"' within The Matrix.
Those guards are essentially drones, they maybe battery humans but they do not want to leave The Matrix and they are enforcing The Machine's will upon all.
Neo and Trinity cannot go in with a yellow book.
They HAVE to go in and get Morpheus out, they are against the odds.
They know at any moment anybody who is still a battery can become an Agent within that instant.
Social Media problems?
Turn them off and they are no longer your problems, it is everybody elses who partakes in Social Media.
I was just watching the first part of Shock Treatment.
It reminds me so much of present day.
https://www.youtube.com/watch?v=l6FVOemQ6RU
We need to analyze more in this particular sensation of yours.
These two things are not mutually exclusive. A film exists in many different spheres including technical, artistic and cultural. A film can be a technical and artistic masterpiece and a cultural evil, such as Triumph of the Will by Leni Riefenstahl.
When I refer to The Matrix not being bad, I am referring to its technical aspects, and when I say it's the worst film ever made, I am referring to its cultural impact. I didn't clarify that in my intro because I thought the context would come under the category of, to quote Monty Python, the bleedin' obvious.
Cause it was hard for you to add Neo + Nazi = Neo-Nazi
And no, The Matrix hasn't destroyed my views on humanity last I checked. Though I will agree I do think the whole red pill/blue pill meme has been way overused in modern vernacular.
Yet you plaing shooter games.
You know another videogame was named: The matrix.
Where you shoot people.
Great point. Well argued.
I would counter by saying that this is a really interesting philosophical point that the films completely ignore the consequences of. These are original films, there was nothing to stop them having a single short scene where the implications of this are explored. All of the humans who have 'woken' from the Matrix were at one point, a battery and therefore any battery has the potential dichotomy not just of becoming an agent, but also of escaping the Matrix. So the decision to ignore.that and ignore that all these people could potentially be saved is just as much an important creative decision that affects how these NPC people are portrayed on screen.
Cause even the maincharacters were batteries but them kill people cause them think all other people aren't real just like a drone pilot.
There is no counter along that line because it is a warzone.
They cannot sit around waiting for everybody to wake up, they need to wake people up by showing the rules of reality that is put about them are flawed and is not as what they think believe it to be.
Neo can do that because he can break those rules and that in itself is what will wake people up.
Bomber Command did not like blowing up civilians but they still had to blow up the factories.