Hello again Travelers! We’re back with our second Making Last Epoch blog post and today we are joined by Wellington Weishaupt, our 3D Modelling Manager! He’ll be sharing some insight into the process behind creating the in game models for the Acolyte’s Necropolis Gear and the Ronin MTX, from ideation to creation to implementation. Over to you Wellington!


Everything starts with a concept or idea that should be modelled, rigged, animated and, later on, implemented into the game where players will be able to put their hands on it. Some concepts or ideas might need adjustments during each stage in order to work properly in game, from both a visual and technical perspective, in order to reach the best quality possible while respecting all the limitations.

I will be using two gear sets I really enjoyed working on, the Necropolis gear for Acolyte as well as the Ronin MTX Set, as examples to show the different stages of the processes armor models go through in order to get them up and running in game.


Taking the 2D concept to 3D model


Once a concept is approved, we have the green light to start putting our digital clay together. The first task is moving vertices around, sculpting to make a dense 3D mesh referred to as high poly, this model should hold all the main information translated from the 2D concept. During this stage some design decisions can still happen, for example if there are objects that could limit the movement from our character causing trouble with the animations or making it look off.

The main focus while working on a high poly model is silhouette, the big and medium shapes that give us the right flow, proportions and later on small details such as imperfection on materials, broken parts, and so on.


As we can see above with the Necropolis Set, we have many phases until the High Poly work is done. Sometimes, big changes happen to a design if issues are found during experimentation or simply because something wouldn’t work well in game.

We can see an example of that on the Ronin Set below, which had a few things changed but kept the same ideas. There were some parts that would clash visually in the game at certain camera angles, as too much information would break the visual flow, as well as cause distortions when animated. The ‘mouth area’ on the waist of the original design was one of those parts.




Triangles all the way down


After all the high poly work is done, we still need to do some extra work on this model, reconstructing it and adapting it in order to make it ready for animation as well as optimizing it for use in game. This process of reconstruction is called retopology where, poly by poly, a new mesh will be built up above the high poly mesh.

Hold there, I know it sounds complicated but we can uncomplicate it!

A high poly mesh is usually made of hundreds of millions (yes, you read that right) of triangles which can not be used in game. As we can see in the image below, on the left the Ronin Sets pauldron high poly has an ultra dense mesh with all the hand sculpted details, meanwhile on the right we have the final low poly model reconstructed with fewer triangles.

The first thought that comes to mind is that the low poly looks boring now and has lost all the magic details which brings us to the next stage of the process - Baking!



Cooking up a storm


With our game mesh optimized we now need to transfer all the information we sculpted on the high poly mesh to our low poly mesh, this process is called baking. With that in place we can work on colors, materials and textures for the assets, however there still another step to prepare our low poly model to receive all this information. This stage is called UV Mapping, it is where we make cuts and unfold our 3D model in a 2D space which can store all the textures in different maps, for example one map will hold colors, another map will store how glossy or metallic surfaces are, so that we can have control over the materials.


After all the pieces have their UVs properly opened and organized we are able to transfer those heavy details to our game mesh and finally work on the textures, below you can see that nothing from our high poly mesh was lost.


I have a good feeling about this...

The texturing stage is a very important part of the process in order to convey the correct vision for the materials or tell a story about the assets. We usually try to treat the materials by considering what use it has had by the character and what it has faced during that time.

This is usually a fun part to work on! Sometimes information we add can trigger a lot of ideas even if that something is not that clear at first, for example having some areas with wet blood and some areas where blood appears dry, makes us imagine how over time the character has faced many battles but still faces many more ahead.



You spin me right round


Once everything is finished we record the models rotating in a scene with different light conditions. Turntables not only are a way of showing a final piece but also a great way to observe and make decisions on which parts we can still improve even more.

Thank you to Wellington for such an in depth and awesome look at the work they and their team put in to Making Last Epoch the game we all love. Also thank you travelers for joining us, I hope you enjoyed this as much as I did!

Let us know which teams you want to hear from in future posts and we’ll do our best to wrangle them 😊 Have a great day and safe journeys through Eterra!

Averielle

Travelers, another month has come and gone and it is now time for a look at what’s happening. Let’s dive into our third installment of, Eterra Monthly!


Travelers, we’ve said it so often it hardly needs repeating, but the feedback we receive is so critical to the decisions we make in the studio. So, please continue to share your thoughts and ideas with us no matter how big or small. An incredibly long list of this feedback is already in the works and being morphed from idea to reality. While the list is far too long to include in this article, we can share a few items on the road to reality.


The inventory UI is getting some new features we hope you will enjoy. One UI function that has been asked for is the ability to compare items against your equipped Off-Hand or 2nd Ring slot. We hope this new feature will provide a smoother gearing experience.


Recent feedback regarding Boss Ward has been fairly substantial. Whether you find yourself on the side of approval or not, the team has worked to balance the effect of Boss Ward. With the release of Harbingers of Ruin -update, we replaced Dynamic Damage Reduction with a Boss Ward mechanic, and have read all your feedback on the change. We'll be doing some adjustments to the Boss Ward mechanic in Season 2 by reducing how often players encounter it during campaign and in the endgame. Only enemies that feel like should have it, will have it, such as chapter bosses in campaign and more notable bosses like Dungeon and Timeline bosses. Boss Ward will no longer appear on Exiled Mages, Nemeses or mini bosses. On top of that, we are also adjusting the decay rate to be faster. The decision came as a direct result to player data in 1.1.


A fairly obnoxious and deadly bug involving the Evade skill, where using the skill could incorrectly queue another use of it and immediately return you to your original location, when the player only wanted to use it once. The team has been working on solving this issue and, in an effort to make the mechanic worth while, they have been working on a few new quality of life changes. They've been working on making Evade more responsive at higher latency, improving animations, and fixing bugs. Thanks to these changes, Evade will be more consistent and feel more responsive to use.


Keys are getting their own stash-wide dedicated storage that can hold an unlimited number of keys. This new function will allow players to always have the right keys on them without taking up standard inventory space. Subsequently, this also means keys won’t take up space in your stash tabs either.

With just a short window between now and Q1 2025, you can expect some pretty substantial improvements to Last Epoch in Season 2. A launch date for Season 2 is still in discussion but a date reveal should be on its way very soon.

Last Epoch started as an ARPG made by ARPG players, exactly as we wanted ARPGs to be played. Nearly 8 years later and this is still the core of EHG’s drive. Keep your attention on our Forums to get a first look at new features and improvements coming your way.


The poll is over! You spoke, we listened and emotes have been forged. Here are some teasers to tide you over until Mike’s next stream!


Mike’s Dev Streams have always been filled with the best kind of leaks, so let’s review the November Twitch Stream Teasers.


Mike was rather tight lipped in the beginning of the month and brought a singular teaser to the stream. A taste of something new for the Void Knight.


The following week was geared toward clearing up some misinterpretations. The previously revealed node was thought by players to be an Anomaly node. We hope this was cleared up and has been confirmed to be a node for Volatile Reversal.


The third week of November, Mike showcased two new nodes for Sentinel’s Vengeance skill.


On the 4th week, Mike was joined by Community Manager Wick on stream where the pair played some Last Epoch and answered questions from the community. During the stream, Mike revealed 4 new and updated nodes for a handful of classes; followed by a new masked character he did not say a word about.


The team is putting on their dancing shoes and lashing out with this month’s Community Build Spotlight!

Wander explains that this build is Crit focused, and as we see it, you’ll be literally dancing between skills to maximize its potential. They explain that to get the most out of this build you’ll need to use Dancing Strikes between EVERY button press to keep your Rhythm stacks going, creating an infinite amount of mana. Wander does mention in the review video that this build is still a work in progress but that just means you’ll have some wiggle room to dance to your own music. The build features the skills, Dancing Strikes, Shift, Shadow Cascade, and Synchronized Strike. The build guide on Last Epoch Tools[www.lastepochtools.com] also features Umbral blades, but according to the video review, this is not necessary, leaving the 5th and final skill up to you. We love a flexible build.

As far as gear is concerned, Wander recommends a Traitor’s Tongue[www.lastepochtools.com] with 12 or 13 base Crit Chance, and +2 Dexterity. The rest of the affixes on it are just nice to have, so play around with them. Next on the list is a Shattered Chains[www.lastepochtools.com] with some cooldown recovery speed. You’ll also want a Smoke Weaver[www.lastepochtools.com] for Dodge rating. Wander says other daggers work too, but has found the Smoke Weaver to be the best option thus far. Next you’re going to need to find a few items that grant Increased Damage per Shadow with Shadow Cascade, or Increased Damage of Attacks by Shadows. These affixes can pop up on a few different items so you’ll have options. Boots are going to be a tough one. Wander shows off a pair of Lessons of the Metropolis[www.lastepochtools.com] that they just got lucky with, but the focus was T7 Movement Speed, and increased Crit. Finally, a Syphon of Anguish[www.lastepochtools.com] for Doom application is really going to tie all of this together.

It’s a bit of a list, I know, but the results are worth the effort. Wander was far more detailed in their explanation in the video, so I highly recommend watching it through and diving into this build to try it for yourself.


This month I had the pleasure of sitting down with Fritz Dittmer; the Senior Technical Environment Artist on Last Epoch. We discussed the finer points of his career and the steps that brought him to our studio.

Tell us a little bit about yourself and your role in the studio.

Initially I was brought on as part of the level design team, and was going to help with layout levels and start that process of building things. It was chapter 8 and it was like, “Hey, we need all hands on deck. We’re shipping the Lagon boss fight and we’ve got to get people in to build the levels.” I kind of got in when things were chaotic, and it was like “I can do level design stuff.” and “Look, I can help and build these environments out.” It’s funny, because so many of the levels have changed and been updated because I started in level design. I did a bit of work in shaders, and kept kind of building that side of things which is where the technical art kind of comes in. Then just building assets out as we needed them and creating levels.

What initially drew you to environment art, and how did you develop your technical skill set in this field?

It’s a lot of the “find out” half of the “Mess around” process really. I went to school for animation and game dev, and was very ambitious. At that point I was kind of just a 3d generalist without a solid sense of direction or specific position I wanted I found myself drawn to the procedural asset generation and the technical problem solving it presented. Then I got in with a bunch of architecture geeks and I’m like, “Oh, you can do some really cool stuff with design.” Dark Souls 3 came out and I was like, “Oh, my eyes are open I’m just gonna look and stare at all of the stuff.”I loved trying to reverse engineer all of the amazing stuff in the games I loved. It’s funny because for a while I was starting to develop a little bit of a reputation as the guy who’s just staring at a wall while my team mates rushed ahead. People are charging through, trying not to die and I’m just here staring at the wall trying to figure out the parallax texture, and how they got that depth, what they’re doing, where the geometry is. Now that I think about it, I lost incalculable time to Halo Reach and its map editor; just making that stuff for my friends. That was probably the very first dabble into Level Design.

What’s a particular environment you’ve created that you’re especially proud of, and what unique challenges did it pose?

Oh my gosh, there are so many, but I think the one that I think about the most is definitely in Last Epoch, and it’s Majasan Heights, where you steal the giant bird. Originally, we didn’t have the tech to make you walk on something that’s moving. It was one of those, “Okay, I know we have the whole fighting a god later, but hijacking the giant bird is the coolest and most memorable part of that chapter.” I was viscerally upset when they said, “We’ll just fade to black, have a “caw” and the sound of something getting shot down.” I was like, no, so I ended up just finding a random crow model and sized it up to scale so you could be on its back. Then I built a support platform and this whole jig of trying to essentially fit the bird under something that rotates under the player. The player is actually completely static, we’ve just got wind particles and stuff flying in the way. The way I ended up selling it to both the level design lead and the project manager was just “Here’s the clip of Futurama where they realize the ship isn’t moving, the universe moves around the ship.” My project manager gave me a "if you have extra time moments and if you think you can make it happen, do your best. I don’t think anyone believed I could pull it off and that’s what makes it so sweet to go back and be like, “I did it.”

How do you strike a balance between visual quality and performance when building environments, especially on limited hardware?

Well, a lot of it is just building smarter, it’s all about draw calls. Essentially, every material and every new object or mesh gets a draw call, and the more draw calls you have the slower your game. There are also systems that let you scatter things and kind of rearrange stuff in a performant way but it comes down to finding ways to not calculate things. Instead of having one blade of grass with as few polygons as possible, you reduce your draw calls by grouping a bunch of blades of grass together into one object. It’s great for visual cohesion, as well as making stuff more unique and feel actually Last Epoch, but having things made specifically for that kind of set. Like the Imperial City is all one set of meshes and one material. So instead of having dozens of draw calls were able to cut it down and just have really good looking assets that also match with the enemies.

What tools, software, or techniques do you find are “Must Haves” in creating immersive game environments?

Of course the obvious, whatever you use to make a Filmbox file, your game engine, and then honestly, finding good post processing. Basically, knowing how to use your engine efficiently so it’s burning the ins and outs. Prefabs with Unity and prefab variants is something I’m always pushing for and making progress on. But really, it’s the lighting plugins in the post processing that really make the difference between an okay looking asset and something that’s just 10 out of 10. We do also have in house tech artists that have put really cool tools together, but honestly, the difference between an okay looking game and a great looking game is cohesive visuals, lighting, and post processing to make that happen. For example, for fog you have to make the air feel like it’s around you because otherwise you’re walking around in a vacuum. You’ve got to make it look like there’s air, and a lot of that comes from volumetrics and tech like wind shaders, where you can use your vegetation to sway in the wind and have it all match. It’s really the icing on the cake, that last 20%, that makes makes a world of difference.

Can you walk us through a problem-solving moment where you had to innovate to achieve a specific visual or technical effect?

Honestly, I was really proud of this one, but for the bazaar there’s lots of weapons vendors and I really wanted to avoid the “We have swords here.” and then they’re the same. Every time I wanted it to be like, here’s weapons and here’s a big umbrella stand full of spears or axes or whatever it needed to be. I wanted it to change dynamically. make it feel like it was an active shop that lived changed and existed when you weren’t around. I needed a way for the weapons to change between visits. I was looking into ways to find if there’s a plugin that will do this for us. Can we build some code that will do it? Then I realized, “Oh, wait, you can set particles to have an infinite lifetime and it can spawn whatever mesh or material we have.” It will just populate those and have them be stationary. So, a lot of what you can see the vendor selling in the bazaar is a particle system. So, every time you reload the scene, it reloads the particles with a different seed and gives you a different arrangement of weapons. So, that was fun and I started using stuff like that all over the place.

How do you ensure that your environments support gameplay and storytelling, not just aesthetics?

I did a lot of studies of concept art from Blizzard, they did a fantastic job of blocking their values for the past two/three years at this point. So much of it is actually going in and making sure that the floor is both interesting (textures, vegetation) but also is blocked out in a way that, in grayscale, the character and their abilities are standing out. There’s always, with different sets, different interpretations but generally I try to keep the floor as close to a pure white value as possible and push the walls to have a little more noise. This is because player isn’t going to be lost in all of that extra detail so you can push more assets and more interesting stuff up against the wall. It’s just blocking it so that the character always stands out. You just try and simplify everything while giving it enough. It’s that kind of impression of detail where you have low contrast.

Do you take inspiration from any particular sources you’re fond of?

I think I come up with my best ideas when I’m just going on walks and giving myself the time to kind of zone out but still sort of be present. I think when it comes to storytelling as well, like fiction will never be as crazy, stupid, hilarious, and fun as real life stuff. So I try to go out and find weird, wacky or fun stuff and that’s where most of my phone’s memory goes. Heck, I even found some really cool berries the other day where I just thought, “Why do these have a shell of spikes? I don’t know, they’re really pretty and also look like they could kill me on multiple fronts…. Maybe this can be used in the ancient era.” I think there’s a lot that can be learned from other video games and I’m a sucker for Dark Souls, especially the way they do that twisted gothic horror, but there is really something about getting out and just seeing it in real life.

How do you approach collaboration with other departments, like level design or lighting, to bring a cohesive vision to life?

What the Level Design Lead and I do is: I have a scene, I do X amount of stuff on the scene, and then I get to a point where I’m like, “Okay, I think I like it, but I’m starting to hit a wall. Hey, do you want to take it?” So we end up swapping scenes and that gives us a good point where we can be inspired by each other. I’ve learned that even just having working sessions has been really helpful for me as far as getting that feeling of inspiration. Recently with some of the new tooling we’re doing, I’ve been sitting down and just saying “Hey, this is annoying to work with. What do we think of this?” Honestly, being in the same scene and seeing what other people are doing has been probably the most important part of collaborating. Sometimes you look over and you see something weird is happening but it’s cool, so you take a look back and think, “Oh, I like this. This gives me an idea for this other situation.”. Also being open to feedback, to any kind of input, and letting people go wild with your ideas. I’ve had some cases where it’s like, “I really, really love this. If anyone touches this, I think I’ll be heartbroken.” But then someone touches it and comes back with an even cooler version of it. And I’m like, “Now I’m inspired. Can I do a little more polish here?”.

What’s a technique or project that challenged you and led to significant growth in your career as a technical artist?

All of the above, literally everything in my career has been new challenges. When I first got on the team, I was not used to being on a headset in a work context and being the “expert” in the room. That was something to get used to, like, “Oh, wait, I might know what I’m doing. This is unusual… People trust me… What’s happening?”. I don’t notice the growth until I look back and realize, I’ve come very far. Each day is really just another day to get out there and do cool stuff and reach for the sky, and eventually you’re on the top of the mountain.

What tips or advice would you give to junior artists who want to improve their technical skills in environment creation?

Do stupid stuff, no preconceived notions, just try it. Have someone that you could pass off work with and that you enjoy collaborating with. I think if you enjoy what you’re doing and you find yourself gravitating towards it, just follow that. Find a community of people that will give you feedback, even if it’s hard, and you can give them that same level of feedback. It’s important to be able give and receive feedback, not even only in a positive way, but being able to be in that creative and collaborative environment. That’s where I started improving the most. I was following the dopamine, doing what was really cool to me and with a supportive group that would help me. They’d point out where I’m doing stuff wrong, where I’m making my life harder and for myself. That was the first thing the Level Design Lead really taught me. “Hey, if you were organized and go into it smarter, everything will be much easier.”

Is there anything else you’d like to tell our readers?

I love hearing the feedback. It’s so fantastic to see how much love and support we’ve gotten as the game has grown throughout the whole thing, especially the early days. People were so understanding of where we were as a team. They were just there and supportive and that felt amazing and it made me want to make cool stuff because, cool stuff isn’t cool unless you have people to show it to. Thank y’all for all the support and love for Last Epoch.


November began with a few late entries to the October festivities, but we’re happy to share them with you all here! Last Epoch has become such a beloved world in our community, a few decided to share it with the world in their own pumpkin carvings.

The original Last Epoch logo was carved by Vezidoroga on our official discord. They have been perfecting their skills for several years and we are honored to have been chosen this year. This carving came with a wood craft project hot on its heels, which Vezidoroga is hard at work on as we speak.

Our very own Server Cryptid joined in on the carving celebration with their own Gregory the Gourd! It goes without saying just how happy our intern was to “pose for the pumpkin” and have his likeness etched into this lovely decoration.

Following the Immortal Uprising Event, players strut their stuff with the Immortal Emperor’s crown in their very own impromptu Last Epoch fashion show. Players mixed and matched their MTX with the crown in an effort to find the best combination to show off their hard work.

If you haven’t joined our official Discord, it’s not too late. Come join in on the fun and hang out with other travelers like yourself. Also, if you haven’t collected your Emperor’s Crown MTX, it’s free in the MTX shop waiting for you!


A cryptic character visited the studio this month. They didn’t say much, just sort of stood in the doorway surrounded by flares of void energy. It was an incredibly strange encounter. When they left, one of the interns found a recipe on the floor so we collectively agreed, “What’s the worst that could happen?” and we gave it a shot. The result was an absolutely wonderful dish we feel compelled to share with you. Especially with the holidays right around the corner, we hope this one will find it’s way to your table this year.

• 1 Frozen Pie Crust
  
• 1 sheet of flat pie crust dough (for topping)
  
• 2 lbs. blueberries , fresh
  
• 2/3 cup white sugar, heaping
  
• 1/4 cup cornstarch
  
• zest of 1/2 a lemon
  
• 1/4 tsp Cinnamon
  
• 1/8 tsp All Spice
  
• 1/8 tsp salt
  
• 1 Tbsp of butter, cut into small pieces
  
• 1 egg yolk
  
• 1 Tbsp Heavy Cream
  
• coarse sugar, for topping

Pie filling:

1. Rise the blueberries and gently pat them dry.
   
2. Combine all the dry ingredients, including the zest, and toss in the blueberries to coat them all evenly.
   
3. Transfer into the pie crust and put into the fridge to keep it cool

Assemble:

1. Print and cut out the Epoch Template provided.
   
2. Roll out the dough sheet on a lightly floured surface to prevent sticking, and lay the prepared template on top.
   
3. Use a sharp knife or pastry cutter to trace around the template and lay it on top of the prepared pie.
   
4. Cut the butter into small cubes, about 1/4 to 1/2 inch and distribute them evenly over the exposed filling.
   
5. Whisk together the yolk and cream for an egg wash, brush it over the crust and then sprinkle the coarse sugar all over.

• IMPORTANT: You’ll want to put the pie back in the fridge for at least 10 minutes before baking.

Bake:

1. Make sure the oven rack is on the lower part of the oven (like the lower third) and put a baking sheet with nothing on it in there.
   
2. Preheat to 400°.
   
3. Put the pie on the baking sheet that had been heating up inside with it and bake for approx. 20 min.
   
4. Reduce the temperature to 350° and bake for about 40 more minutes.
   
5. Keep your eye on the pie for the last 10 min of that 40, you’ll know the pie is done when it’s edges are golden brown and the filling is bubbling a bunch.
   
6. If the crust is browning too fast, but the filling is not bubbling, cover the edges with aluminum foil and keep your eye on the filling portion instead.
   
7. After it’s done let it cool down for at least 2 hours (3 hours is best)
   
8. Serve and enjoy!

While we may not always have something we are prepared to share, you can sleep soundly knowing we are always working on something for you. With that said, I’ve collected a touch of new information straight from our dev team for you this month.

Thanks to Mike’s teasers it was revealed that Volatile Reversal, the time bending Void Knight skill, is getting some much needed attention in Season 2. According to reports, the skill will be transformed into a combo in which the first time you cast it, it will hurl you forward in time to a targeted location. Recasting it again within 3 second will wrench you back to your original location. Both the leap forward and leap back will launch a devastating attack upon landing.

This change comes with reduced mana cost and cooldown so it can become a new source of damage. Due to these changes, the team has also placed the Volatile Reversal skill tree, and several others, under the microscope and have made a large number of node adjustments to better suit the skills new functionality. While the details are still mostly under lock and key, I was able to collect a few new skill tree nodes for all you theory crafters out there.

A few of the new nodes are:

Now, please keep in mind these are only a few of the nodes being added to the Volatile Reversal skill tree; there are heaps more and all with brand new effects to twist the skill to your will.

With all of these new changes, it’s important to know this is one skill on a long list of adjustments being made. The team has also considered the effects this change will make across other skills in all three Sentinel class trees where Volatile Reversal would have created a lack of power in its absence. That now missing power has been added back to the other skills and passive trees in various ways to give them the strength they deserve. Because of this, Volatile Reversal can stand on its own as a skill. Originally it provided so much power to other skills, it felt necessary to use even if it didn’t feel great.


There is always something happening in Last Epoch. With the holidays quickly approaching and great things on our horizon, The team would like to wish you all, in advance, a heartfelt thank you for your support and a Happy Holidays. With that in mind, the team would like to let you all know that our December Edition of Eterra Monthly will be releasing on January 3rd rather than December 31st, to allow everyone time with their families as we enter the New Year.

This has been Eterra Monthly; a report on the happenings and changes in the world of Last Epoch. We hope you have enjoyed this month’s report and will see you all again soon

Hello Travelers,

We are pleased to announce that the Last Epoch Soundtrack is available for players who purchased the Deluxe or Ultimate Edition of Last Epoch, purchased the Deluxe or Ultimate upgrade packs and Kickstarter backers who bought the Ancient Warrior (Alpha) or Ardent Gladiator (Beta) supporter packs or above. This Soundtrack includes 32 brilliant tracks from our fantastic composer Erik Desiderio!

The Soundtrack can be found in your Last Epoch DLC in Steam if you have the following versions of the game;

• Players who purchased the Deluxe or Ultimate upgrades from our In-Game Store
  
• Players who purchased the Deluxe or Ultimate Editions of the game, including players who purchased the Deluxe or Ultimate upgrades, on Steam

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For those received the Soundtrack via their Kickstarter Backer pack (Seeker or above), or via supporter pack (Ancient Warrior (Alpha) or Ardent Gladiator (Beta) supporter packs or above), you can access the soundtrack by opening your game directory folder and locating the Last Epoch Soundtrack folder.

To locate your game directory you can right-click on Last Epoch in your Steam Library, click ‘Properties’, choose ‘Installed Files’ and then the ‘Browse Button’.

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If you are Offline, please go Online in Steam and make sure your game is up to date!

If you purchased any of the following versions and cannot locate your Soundtrack files please reach out to our Support Team[support.lastepoch.com] with proof of purchase;

• Deluxe or Ultimate Edition
  
• Deluxe or Ultimate Upgrade
  
• Kickstarter Seeker or above
  
• Supporter Pack Ancient Warrior (Alpha), Ardent Gladiator (Beta) supporter packs or above
  
  
  Track List
  
  
  1: Last Epoch Theme
  2: Burning Forest
  3: In Preparation
  4: Keepers Camp
  5: Escape from the Fortress Vaults
  6: What She Left to Remember
  7: Fires Before Dawn
  8: Bastion of the Sun
  9: War Machines of Solarum
  10: Eterra
  11: Highlands
  12: Ascending the Summit
  13: Inferno and Fury
  14: The End of Time
  15: Crystal Mines: Crystal Lotus
  16: Shattered Remains
  17: The Temple of Eterra
  18: Twisted Fire
  19: The Precipice
  20: Above the Black
  21: The Council Chambers
  22: The Sheltered Wood
  23: The Surface
  24: The Forsaken Trail
  25: The Ritual Site
  26: Ruins of Welryn
  27: Shadows Whisper
  28: Guardian of Ruins
  29: Welryn Undercity
  30: The Courtyard
  31: The Ulatri Cliffs
  32: The End of Ruin
  
  We want to thank all of our players for their continued support and we hope that the stirring choral refrain, sung in Old Norse, of ‘Fyoern Oowled’ from the Last Epoch Theme guides you through your daily challenges as it does through Eterra.

Welcome Travelers to the Eterra Monthly October 2024 Edition!

We’ve got a fully loaded report for you today, so buckle up, and let’s get started.


The Immortal Emperor’s campaign for power has been halted. As immortal soldiers occupied Eterra, a large resistance was staged to fight back. The battle began on September 19th and raged until October 20th. This resistance has since succeeded against the occupying undead army, and the Immortal Empire was forced to retreat. Resistance leader Yulia had this to say,

“The travelers are a force to be reckoned with and they are here to stay. The Emperor is welcome to press his influence whenever he wishes, but we will always push back!”

Our reporters attempted to reach her for further comment but have yet to receive anything more. The travelers who fought so tirelessly found a way to rub salt in the immortal wound, by claiming replicas of the Emperor’s own Crown and have been flaunting them before him. The Emperor however, was conveniently unavailable for comment. Is this the last we will see of the Immortal Empire’s forces? Only time will tell.


October 20th marked the end of the Immortal Uprising Event and the battle was incredible! Travelers from around the world came together and duked it out with the Emperor’s forces including a new type of soldier, The Loyalist Undead. An elite unit of the skeleton army that packed a punch and everyone felt it. As the event came to a close, Travelers have been encouraged to check the Cosmetic Shop for a free gift for their efforts, stashed within. If you haven’t collected your own Immortal Crown, it’s not too late. This item will remain available to all event participants, free of charge.

With the end of the event came Patch 1.1.7.6. The new patch reverted a handful of changes made available by the event, and adjusted the effects of several others. For full details, read the Patch Notes Here[forum.lastepoch.com] .


Patch 1.1.7 was given a small hotfix for the month of October titled, “Hotfix 1.1.7.7.”
It was treated as an addendum to patch 1.1.7.6. The hotfix note reads as follows:

• Fixed an issue that would cause the Felled Woods terrain to load incorrectly

As the issue was not accompanied by any additional fixes, the information was later added to the end of the 1.1.7.6 patch notes, rather than being given it’s own page on the Forums.


And now for an Osprix eye view of things happening in Eterra. Over in the Felled woods, our weather team has noticed an anomaly involving thick fog and an ethereal floor causing a bit of a stir. Traveler’s are encouraged to… Wait… I’m getting word that the fog is clearing and the ground has returned to its original solid state. Well Traveler, feel free to explore to your heart’s content. We apologize for the false alarm. On to more pressing news.

Several teams have come together with a few ideas regarding Twitch Subscription rewards they feel are a little over due. The team has put out a voter’s poll found HERE [forum.lastepoch.com]. Players are encouraged to cast their votes in regards to what they would like to have access to during Twitch streams. This poll will be open until November 11, 2024 11:00 AM CT after which it will be locked and the team will get to work adding the winning Emotes to the channel.


Travelers it’s that time again where we cast one of your builds in the Spotlight of Glory! This month we have something to warm up your gameplay after chilling out with the White Walker build last month.
This month’s spotlight goes to…

The Smelter’s Wrath Worldsplitter Forge Guard is a hard hitting, Harbinger deleting, Tank doused in napalm. Unlike the White Walker Cryosplosion that focused on stacking Frostbite, Smelter’s Wrath consumes enemies in a cone of fire, doubling your armor, and increases it’s own range the longer it charges. Couple this with smashing a Worldsplitter[www.lastepochtools.com] into a legendary 2-handed axe that increases Fire Melee damage, and Mana as well as mana regen, and your Forge Guard will be a walking combustion engine, melting its foes with minimal effort.

Now this build does benefit from a few other important items such as Titan Heart[www.lastepochtools.com], Shattered Chains[www.lastepochtools.com], Siphon of Anguish[www.lastepochtools.com], and Eterra’s Path[www.lastepochtools.com], but the rest is really up to you. This does require some extra effort in item farming as opposed to the showcase from last month, but we think that’s what makes this build shine; showing the power of both gameplay preferences.

You can check out the Build Guide Showcase by Dr3adful and hear more about it in their own words. The Build guide has also been made available on http://lastepochtools.com/ so feel free to dig around and light the fires for your own Smelter’s Wrath.


You, the players, have asked and we delivered. You may have seen us showcase a handful of our EHG staff on social media, but we’ve decided to expand on this initiative a little more, just for you. I got the opportunity this month to sit down with David Chen, one of the Producers here at EHG. David has been with EHG for about a year and a half, and he was more than happy to talk about his role in the studio.


A big thanks again to David Chen for talking with us. Join us to meet a new member of the EHG studio every month, and get an inside look at what it’s like to be a part of Eleventh Hour Games.


This has been Eterra Monthly, a report on the happenings and changes in the world of Last Epoch. If you’ve made it this far and are enjoying Last Epoch, we ask that you please take a moment to leave us an honest review on Steam. We hope you have enjoyed this month’s report and will see you all again soon!

Hello Travelers!

Welcome to the first in a series of behind-the-scenes Blog Posts, each focusing on one team or area of Last Epoch’s development!

Today the Lead Composer for Eleventh Hour Games, Erik Desiderio, is here answering questions about what went into creating the iconic Last Epoch Theme song, how they get in to the mindset to portray the very feeling of moving through Eterra and what goes in to getting the music game-ready!


How are you doing today?

I’m doing great, thanks for asking!

Given your work on Movies like Immortals, how did you get into composing for Games?

I met a guy at a party… No really. I had worked on lots of film and TV projects, but had always wanted to work on games, but no one would give me a shot. When I score, I dig deep into the story to then elevate it through music. With games, there’s a direct connection to the audience, who are the main character. Writing music that can move them and emotionally enhance the choices they make in the game is a great deal of fun. So it was something I always wanted to do and this guy I met liked my work, and after a few projects together, he hired me to write music for an Adventure Time Virtual Reality game. I later gave a talk about the experience at the Game Developer’s Convention (GDC) and that jumpstarted my game music career and set me on a trajectory to work more in games the following years.

Is there much difference between the process for Movies and Games?

Yes, since video games are non-linear, the pacing is largely controlled by the player, you have to compose music in adaptable loops. Sometimes, I see the music as the heart of the player as it moves through the world and story. For some big boss battles, the music will get more intense and change sections as the battle progresses, based on the health of the boss. With Aberroth, the music had to transition to new musical styles based on the era of the timeline that was being presented.

Is there anything you’ve worked on, you’d say really impacted or influenced how you compose?

Composing music for the “Rise of the Necromancer” expansion for Diablo III really opened up my eyes to the joys of composing dark music in ways that I’ve never worked before. I’d light a candle, and turn all the lights off in the studio in order to channel the dark energy of the game. It’s a practice that I still use when working on Last Epoch.


So how many instruments do you play, and how many did you learn just for Last Epoch?

I play many instruments but for Last Epoch, I also took up the lute and the tagelharpa to give the Last Epoch soundtrack an ancient, archaic feeling. Those were new for me and they were exciting to learn.

How did you go about finding the right Vocalist and what made Ffion stand out?

She was brought to my attention through the magic of the YouTube algorithm! Her voice is evocative and otherworldly, and that’s what grabbed me. She had already done an album of music in Old Norse, with excellent pronunciation. It was masterfully done and made her the perfect voice for this project.

Why Old Norse? It’s amazing, Ffion does an amazing job, though what inspired that decision and how did they learn it?

We wanted to use a language that was no longer spoken today, that transported you to a forgotten time, and the gritty sound and rough texture of Old Norse pulled me into the Last Epoch landscape. The words have a powerful feeling, the accent is always on the first syllable, which gives it a very strong drive. I took phrases and individual words from Old Norse texts that that thematically banded together the melody I had composed with the story.

Currently it’s only used only used in the Main Theme, however across many other tracks found in game we have several talented vocalists who contributed to bringing that same epic feeling to our newest Boss fights.


So Harbingers and Aberroth, two big new inclusions! Was this a daunting challenge or an exciting one?

I love a good challenge, and especially one that involves writing angry music, so I jumped right in. Strong themes are very important throughout Last Epoch, so I made sure that each harbinger had a recognizable theme and instrumentation. The Brute Harbinger is large and intimidating, so I used a deep sounding male choir singing long tones, with the parts sung by Mason Lieberman to enhance the brutish feeling. The Agile Harbinger is more nimble and the music is faster paced with violins playing short notes throughout.

Given these fights can last a long time, how do you compose a track for that?

As you fight Aberroth, you transition through all of the different eras of the game, and the music had to match. So, the aboriginal chanting of the Ancient Era gives way to the elevated tones of the Divine Era to the distorted sounds of the Ruined Era, as the background imagery changes each time the fight escalates.

The music gives that perfect sense of ‘This is not an easy fight’, how do you go about grabbing that feeling and portraying it?

As the Monolith is the setting for this expansion, we decided to compose many new tracks to accompany the player on their journey through it. The music is similar in style to the music for the End of Time, but it differs in that it has an underlying sense of tension since you are about to do battle. This Monolith track features Rachel Hardy on vocals.

What is the process of ‘Mastering’ a track?

Mastering a track involves assembling and editing a track from its component parts. Since the game has to play the audio files so that they loop and react to what the player is doing, the music has to be written in a certain way and chopped up properly. Once the track has been reassembled, the individual sections have to be balanced and processed to maximize the volume and make all the tracks consistent in loudness so the listener doesn’t have to turn up and down the volume with each track.

When do you know or feel like you are ‘done’ with a track?

When I get chills from listening to it, and the audience is transported to another place and time.

Thank you for joining us today, and thank you Erik and Ffion for your time! Keep your eyes and ears open for our next Blog Post where we’ll be talking to one of the many great teams that help build the world of Last Epoch!

Victory Travelers!

Thirty-one days after the Immortal Emperor let loose his loyalists legions into the world, the uprising has successfully been quelled. With a total of 760,523,009 skeletons slain, the Immortal Emperor has realized their grave error and been forced to pull his forces back to standard deployments. To reward your efforts in stopping this uprising, Yulia has managed to acquire a special item from the Emperor’s personal stash for you, which you will be able to claim from the in-game MTX shop (at no charge) to add to your cosmetic inventory.

This marks the end of the Immortal Uprising Event. We hope everyone enjoyed all the event had to offer, and with Eterra returning to a more peaceful state, we wanted to go over what’s happening in the trenches, and what to expect as we continue onwards to 1.2


Over the course of the event, we’ve been closely monitoring feedback and thoughts regarding features introduced with The Imperial Uprising, such as the event buff modifiers. Originally, we had planned to simply remove the temporary buffs, and Loyalist Undead packs with the end of the event. In this feedback we’ve seen very positive responses to some of the buffs, and many requests for some of the effects to remain in place.

The much beloved Loot Lizards, as well as the new shrines were always planned to stay after the event, and will continue to be able to be found in-game. We also want to clarify that the Cycle Refresh which started with the event will be continuing through to patch 1.2 - the refreshed Cycle does not end with the event.

We want to cover some of the changes we’re making in response to your feedback, all of which is immediately in effect with the end of event patch released today. The temporary event buffs and Loyalist Undead packs have been removed as planned, though we’re making some changes to Item Faction Favor costs and Rank requirements (these are buffs), as well as some changes to the Loot Lizards.

For the full patch notes, please check out the Patch Notes post here: Last Epoch Patch 1.1.7.6[forum.lastepoch.com]


We’ve been watching player’s excitement around higher drop rates and the ability to interact with factions more frequently with more expendable favor. In response to this feedback, we’re lowering many favor costs and reducing the Reputation required to advance Faction Ranks. With these changes, we want players to keep the feeling of advancing factions quicker and offer more opportunities for interacting with their chosen faction.

• Reduced Faction Gambler item costs by around 35% on average and made them more varied.

• Reduced the cost of most prophecies by around 30% (this varies case by case due to aggressive rounding).
  
• Reduced the cost of Exalted Helmet, Boot, and Relic prophecies by slightly more than 30%.
  
• Reduced the cost of Legendary Potential prophecies by around 50% in total.

• Bazaar purchase Favor cost changes:
  • Idols cost 600 (from 800)
    
  • Experimental affix tiers add 300 to Magic and Rare item costs (from 400)
    
  • Set items cost 240 + 4 x level requirement (from 300 + 4 x level requirement)
    
  • Uniques with 0LP cost 800 + 4 x level requirement (from 1200 + 4 x level requirement)
    
  • Uniques with LP cost 3000 + 1000 x LP^2 + 40 x level requirement (from 4000 + 1500 x LP^2 + 40 x level requirement)
    
  • Legendaries cost 6000 + 1000 per affix tier + 40 x level requirement (from 8000 + 1500 per affix tier + 40 x level requirement)
    
  • Exalted items cost 2000 + 200 per T6 affix + 1400 per T7 affix + 400 per Experimental affix tier (from 2500 + 250 per T6 affix + 1500 per T7 affix + 600 per Experimental affix tier)
    
  • Listing costs remain at 25% of buy costs with a minimum listing cost of 150.
• Rank Requirements
  • Measured from previous Rank, not cumulative;
    
  • Rank 3 requires 2000 reputation (from 3000)
    
  • Rank 4 requires 7500 reputation (from 11500)
    
  • Rank 5 requires 20000 reputation (from 37500)
    
  • Rank 6 requires 40000 reputation (from 75000)
    
  • Rank 7 requires 70000 reputation (from 125000)
    
  • Rank 8 requires 110000 reputation (from 200000)
    
  • Rank 9 requires 180000 reputation (from 300000)
    
  • Rank 10 requires 320000 reputation (from 500000)
    
  • Rank 11 requires 500000 reputation (from 750000)
    
  • Rank 12 requires 800000 reputation (from 1100000)

We will continue to monitor player feedback on these changes, so please let us know how they feel in our Forums, Discord and Reddit.


The other big area of excitement we saw from players aside from the Item Faction buffs was the increased access to Unique item drops. So, while the temporary Random Unique Item drop rate buff is being removed, we’re including adjustments to Loot Lizards, bringing the Unique Item drop rate back to similar rates as seen during the event. Patch 1.2 will be introducing many additions that will give players exciting new ways to target desired loot alongside the new content being added at that time, though these changes should help provide more opportunities for Uniques overall, including immediately before patch 1.2 arrives.

We have reduced the overall spawn rate of Loot Lizards, and adjusted the chances for each type of Loot Lizard to spawn, as well as their loot pools to make them more rewarding when you do encounter them for an overall buff.


Updated Loot Lizard occurrence rate changes (values are for level 90+):

• 4% fewer yellow and purple lizards.
  
• 27% fewer blue lizards.
  
• 25% more white lizards (the ones with orange beams that give Uniques).
  
• 7% more big green lizards.

Other changes:

• Loot Lizards now wait 40 seconds after last taking damage before burrowing underground to escape (increased from 20 seconds).
  
• Lizards drop 2 fewer shards on average.
  
• Yellow, purple, and green lizards drop slightly more Exalted items than before.
  
• White lizards drop slightly more Unique items at level 60+.

As promised from Yulia, your efforts in quelling the uprising are being rewarded with a unique event cosmetic. While the Immortal Emperor was busy lashing out at his failing Loyalists, Yulia was able to access his personal stash, and commandeer his very crown for you.

This cosmetic can be acquired by visiting the MTX shop in-game and redeeming it to your cosmetics inventory (for no cost). As with all cosmetics, this cosmetic is currently only available in Online mode.


One of the changes we’re making internally in preparation of 1.2 is upgrading our Unity engine from 2019 to 2021, this gives our teams a lot more development tools and features to work with. The engine upgrade will be releasing before 1.2, however with such a significant code change, this means the end of the event patch will be the last patch for a short while. To be clear, today’s patch will not be the last patch before 1.2. Patches will be on hold until we can release the engine upgrade, and not have to replicate changes to the 2019 version in order to release them to the live client.

This will of course mean things will feel a bit quiet on the development side while we’re hard at work behind the scenes, so we’re also going to be stepping up our communication even further with a whole host of posts coming before 1.2. This includes our new Eterra Monthly newsletter, blog posts covering what different departments are up to and interviewing team members, as well as blog posts covering features coming in Season 2!

That’s right, we’ve also heard the feedback regarding the naming for our major content patches (eg. 1.2) and will as of this very moment, in this very sentence, at this very time of the year, localized entirely within our community, be changing that naming convention to Seasons, starting with patch 1.2 being referred to as Season 2. While we may still use the patch number in specific places, we hope this convention change to Seasons will help to clear up misunderstandings regarding what is a Major content patch, and expected to be the start of a fresh Cycle.

Join us later this week for our next blog post as we talk about the Music of Eterra, and have a QA session with our Lead Composer, Erik Desiderio.

Until then Travelers,

May Gregory the Grole grant you safe travels as you protect Eterra

• Loyalist Undead enemies no longer spawn in Monoliths.
  
• Removed
  • Increased Favor and Reputation Gain
    
  • Increased Gold Drop Rate
    
  • Increased Random Unique Drop Rate

• Reduced Faction Gambler item costs by around 35% on average and made them more varied.

• Reduced the cost of most prophecies by around 30% (this varies case by case due to aggressive rounding).
  
• Reduced the cost of Exalted Helmet, Boot, and Relic prophecies by slightly more than 30%.
  
• Reduced the cost of Legendary Potential prophecies by around 50% in total.

• Bazaar Favor cost reductions:
  • Idols cost 600 (from 800)
    
  • Experimental affix tiers add 300 to Magic and Rare item costs (from 400)
    
  • Set items cost 240 + 4 x level requirement (from 300 + 4 x level requirement)
    
  • Uniques with 0LP cost 800 + 4 x level requirement (from 1200 + 4 x level requirement)
    
  • Uniques with LP cost 3000 + 1000 x LP^2 + 40 x level requirement (from 4000 + 1500 x LP^2 + 40 x level requirement)
    
  • Legendaries cost 6000 + 1000 per affix tier + 40 x level requirement (from 8000 + 1500 per affix tier + 40 x level requirement)
    
  • Exalted items cost 2000 + 200 per T6 affix + 1400 per T7 affix + 400 per Experimental affix tier (from 2500 + 250 per T6 affix + 1500 per T7 affix + 600 per Experimental affix tier)
    
    
  • Listing costs remain at 25% of buy costs with a minimum listing cost of 150.

• Reduced the reputation needed for most Item Faction ranks. Reaching rank 9 now requires 43% less reputation, and reaching rank 12 requires 34% less reputation than before. Changes are measured from previous Rank, not cumulative;
  • Rank 3 requires 2000 reputation (from 3000)
    
  • Rank 4 requires 7500 reputation (from 11500)
    
  • Rank 5 requires 20000 reputation (from 37500)
    
  • Rank 6 requires 40000 reputation (from 75000)
    
  • Rank 7 requires 70000 reputation (from 125000)
    
  • Rank 8 requires 110000 reputation (from 200000)
    
  • Rank 9 requires 180000 reputation (from 300000)
    
  • Rank 10 requires 320000 reputation (from 500000)
    
  • Rank 11 requires 500000 reputation (from 750000)
    
  • Rank 12 requires 800000 reputation (from 1100000)

Updated Loot Lizard occurrence rate changes (values are for level 90+):

• 4% fewer yellow and purple lizards.
  
• 27% fewer blue lizards.
  
• 25% more white lizards (the ones with orange beams that give Uniques).
  
• 7% more big green lizards.

Other changes:

• Loot Lizards now wait 40 seconds after last taking damage before burrowing underground to escape (increased from 20 seconds).
  
• Lizards drop 2 fewer shards on average.
  
• Yellow, purple, and green lizards drop slightly more Exalted items than before.
  
• White lizards drop slightly more Unique items at level 60+.

• Improved character pathing across a number of scenes, improving map navigability.
  
• Fixed issue that prevented 'Chance to Shred Armor on Hit' from being applied to applicable base types that are class specific.
  
• Fixed an issue where, after dying to the boss in the Sanctum of the Architect, characters couldn’t move upon respawning.
  
• Fixed a bug causing the incorrect player character voice line to play upon entering the Shattered Road.

• Fixed a bug that occurred in Offline mode that would cause the player to be immortal after going through a Time Rift.
  
• Fixed an issue causing Offline players to teleport back to End of Time when using a Town portal during a fight with Aberroth instead of exiting the boss run as intended.

• Fixed a bug where Black Arrows created by Aerial Assault’s node Darkwing Fall were not able to be picked up.
  
• Fixed Aerial Assault not being able to go over gaps. It now behaves more like Fury leap.
  
• Fixed a bug causing incorrect player rotation when spamming Shield Rush with "The Rush of Sacrifice" node in Online.
  
• Fixed a bug where Runemaster's Hydrahedron was targeting an un-targetable ballista in the Argentus bossfight.
  
• Fixed an issue where the maximum companions stat would be displayed incorrectly on a Beastmaster with Artor's Loyalty or the Natural Bond passive node unlocked.
  
• Fixed an issue causing arrows to get stuck in the air after hitting an enemy when the player uses Flurry.
  
• Fixed Evade clipping through stairs and other ramps.

• Fixed a bug where the fly-by indicator from Void Rahyeh in The Black Sun didn’t line up correctly with its dash.
  
• Updated skeleton visuals, including adding a double stab animation for the Acolyte’s Rogue Skeleton.
  
• Fixed an issue where Gaspar’s beam’s hitbox did not always line up with its visuals in Online play.
  
• Fixed some enemies using outdated descriptions.
  • For example, Void Prophets used the description of the old void prophets, "Always crits distant enemies", despite them having no such effect.
• Fixed an issue where Phoenix Shrine could block the view of Runes that Runemasters could have above their character.
  
• Fixed a visual bug where some fire torches appeared bright pink.
  
• Fixed a bug where multiple Forgotten Knights could appear on top of each other in the Shattered Road.
  
• Fixed an issue where the Boss Ward bar would not animate.
  
• Fixed a bug where in the second Quest Echo of Reign of Dragons, a VFX would never disappear during the Lightning Dragons fight. Also fixed a bug where the Lightning Dragons' shake attack would sometimes produce ability indicators that did not disappear afterwards.
  
• Fixed an issue where the tooltip for the 'Reduced Bonus Damage from Crits' stat was missing in the character stats menu.

• Fixed a bug where shrines would spawn items in inaccessible areas in the Majel'ka Slums.
  
• Fixed an issue that prevented the Reclamation Shrine displaying the visuals for its beam.
  
• Fixed a bug where shrines could be placed on top of each other and other random encounters such as Nemesis in Temporal Sanctum in Online.
  
• Fixed cases where shrines and Nemeses could spawn in inaccessible locations in the Ice Caverns.

• Fixed an issue where the Bazaar menu could not be navigated when using a controller.
  
• Fixed a controller targeting issue when using Terrify.
  
• Fixed a controller navigation issue where you cannot navigate down from the second specialized skill in the skill slot.
  
• Fixed an issue where abilities couldn't be used with a controller after navigating the action bar.
  
• Fixed several issues with controller navigation of the Passive Tree panel.
  
• Fixed a bug that prevented reaching the Party panel when using a controller.
  
• Fixed an issue where the prompt for additional information in Skill Nodes in Skill Trees wouldn’t change when using a controller.
  
• Fixed a gamepad-related crash that could occur while opening the radial menu.
  
• Improved controller navigation of the Stash menu. Pressing Y/Triangle while hovering over a tab in the stash menu now opens the configuration window for that tab.
  
• Fixed a controller issue where the screen keyboard showed incorrect icons, and also adjusted the size of the screen keyboard keys.

• Changed the Dungeon Key & Tier Selection UI so that it no longer shows for everyone in a party, preventing confusion about whether everyone in a party had to expend a dungeon key.
  
• Items duplicated via Rune of Creation or Lightless Arbor now properly show their mirrored images in the Bazaar UI.
  
• Fixed Class Masteries’ descriptions appearing squished and made UI scaling improvements.
  
• Fixed a UI scaling issue that could lead to the minimap appearing to move outside of its frame.
  
• Fixed a bug with the Loot Filter rule UI where the color picker would sometimes be visible for “show” rules.
  
• Fixed a bug where the Observatory reroll constellation button could not be interacted with in some circumstances.
  
• Updated confirmation popup for selecting a Mastery to make it clear which Mastery you are selecting.
  
• Fixed the Mastery selection panel for Acolyte showing the old icon for Reaper Form.
  
• Fixed the Mastery selection panel and the Passive Tree side banner showing the old icon for Forge Strike.
  
• Fixed a bug where clicking Empower on a Nemesis panel would reopen it.
  
• Improved item tooltip interaction behaviour.
  • CTRL then ALT shows ranges with comparison, while ALT then CTRL shows ranges without comparison.
• Fixed an issue with the close button access in tutorial tooltips where the visual button did not line up with the actual area that could be interacted with.

• Made performance improvements to the Character Select screen and several in-game scenes.
  
• Added further performance improvements related to opening the Stash.

• Magic loyalist undead have 31% less health at level 60 and below, scaling to 18% less health at level 100.
  
• Rare loyalist undead have 15% less health at level 60 and below, scaling to 5% less health at level 100.
  
• Magic loyalist undead deal 7% less damage.
  
• Rare loyalist undead deal 9% less damage
  
• Reduced the maximum amount of magic loyalist undeads each pack can spawn with. On average this means their spawn rate is reduced by 13%
  
  
  Transfusion Casket
• Deal 10% less damage.
  
• Rare versions deal 16% less damage.
  
• Unearthed Bonespike deals 14% less damage.
  
• All these changes are mutually multiplicative, so Unearthed Bonespikes from a rare Transfusion Casket deals about 50% less damage.
  
  
  Acid Trap mod
• Acid traps last a maximum of 15 seconds (from 20).
  
• Magic loyalist undead throw 30% fewer acid traps.
  
  
  Lightning Retaliation mod
• Lightning bolts from rare loyalist undead produce 3 sparks, from 4.
  
• Sparks from lightning bolts from rare loyalist undead last 4 seconds (from 6).
  
• Rare loyalist undead retaliate with lightning bolts about 12% less frequently.
  
  
  Bug Fixes
  • Fixed obstacle checks for dash skills, such as evade and shift, being much harsher than in 1.1.
    
    • Prior to this fix, these skills stopped at the edge of any obstacle, meaning that you couldn't evade through small obstacles or the corners of walls.
  • Fixed a bug that made buffs and debuffs (including Shrines) seem to persist between zones erroneously in Online play.
    
    • Now those icons are shown correctly cleared from the UI on zone changes. Active buffs still carry over between zones in Offline play as before.
  • Fixed a bug where Warpath cast directly by the player was benefitting
    from the damage bonus applied to Warpath from shrines, and this bonus
    also incorrectly applied even after the shrine ended.
    
  • Fixed a bug where Warpath's echoes damaged enemies near the player instead of at the echo's position.
    
  • Fixed certain idol affixes being missing from the Bazaar selector.
    
    • Increased damage over time.
      
    • Elemental resistance.
  • Fixed an issue where the waypoint was flickering in Champion Gate and The Frozen Roots.
    
  • Fixed missing images in the game guide.
    
    • Stash Priority, Loot Lizards, Shrines.
  • Fixed an issue where a white box would appear on the loading screen while transitioning between scenes.
    
  • Fixed a bug that allowed skipping the fight with Haruspex Orian.
    
  • Fixed a bug where killing your first Harbinger didn’t always correctly count for progression in the Forgotten Knight’s faction.
    
    • This caused players to join the Faction but be at rank 0 instead of 1.
  • Fixed a bug where Harbinger’s Crest didn’t block the Harbinger from spawning if a player was rank 0 in the Forgotten Knight’s faction.
    
  • Fixed an issue with correctly switching between multiple controllers’ input.
    
  • Fixed a case where the tooltip in the inventory would close when another player exited/entered the targeting area.
    
  • Reduced lag spikes when encountering loot lizards.